Atlas of Cinematic Paris

LJ_S1

The opening scene shows Laure getting dressed in her room. There is a POV of her looking at a book.

Clip: ::58 - ::

Shot Type: Subjective Scene

Girlhood_S35

Marieme and her sister take the RER home from La Défense.

Clip: 1:13:24 - 1:14:12

Shot Type: Objective Scene

Girlhood_S34

Fade to black. Pan on the girls in front of the Grande Arche de La Défense. Shots track them on the escalators going into the shopping center and then again, outdoor, dancing in the square. Marieme sees her little sister (POV) shot part of a girl gang who try to rob a young girl. She takes her home. Subjective shot (POV shot, music, dance), tagged at 6 Place de la Défense, 92400 Courbevoie, France Subjective shot (music: Marieme's theme).

Clip: 1:07:37 - 1:13:23

Shot Type: Subjective Scene

Girlhood_S33_UNIDLOC_INT

Marieme goes into Ismaël's room at night. Subjective scene: POV shots, tagged at 43 Rue Charles Delescluze Bâtiment 4 93170 Bagnolet POV subjective 1.06.09-1 07.37 fade to black

Clip: 1:06:09 - 1:07:37

Shot Type: Subjective Scene

Girlhood_S32

Marieme walks at night in her neighborhood. Subjective scene (spatial practice) tagged at 45 Rue Charles Delescluze, 93170 Bagnolet, France

Clip: 1:05:19 - 1:06:08

Girlhood_S31_UNIDLOC

Marieme returns home and is congratulated by her brother. Objective scene, tagged at Square de la Place Jean Pierre Timbaud, 93100 Montreuil, France

Clip: 1:03:27 - 1:05:18

Shot Type: Objective Scene

Girlhood_S30

The girls meet with Lady after the fight. Subjective scene (semi-subjective POV shot) 10 Rue de l'Épine, 93170 Bagnolet, France

Clip: 1:01:41 - 1:03:26

Shot Type: Subjective Scene

Girlhood_S29

Marieme wins a fight with the girl from the rival gang who humiliated Lady Subjective scene (POV shots), tagged at 2 Rue de l'Épine Prolongée, 93170 Bagnolet, France

Clip: :59:54 - 1:01:40

Shot Type: Subjective Scene

Girlhood_S28

The girls, without Lady, meet in the neighborhood. Subjective scene (POV), tagged at 10 Rue de l'Épine, 93170 Bagnolet, France

Clip: :58:55 - :59:53

Shot Type: Subjective Scene

Girlhood_S27_UNIDLOC_SET

Back in her room, Marieme sees Ismaël in a high angle shot meeting her brother. Subjective scene, POV shot tagged at Square de la Place Jean Pierre Timbaud, 93100 Montreuil, France

Clip: :58:09 - :58:54

Shot Type: Subjective Scene

Girlhood_S26

54.49-58/08 POV shots ( subjective). Lady is absent and the girls have a confrontation with another group in the fast food restaurant, shot in SRS. Marieme also meets the girl who was in the gang (the fourth one) before her. Subjective scene (POV shots), Lady is absent and the girls have a confrontation with another group shot in SRS. They also meet the girl who was in the gang (the fourth one) before her. She left because she had a baby. 45 Rue Charles Delescluze, 93170 Bagnolet, France

Clip: :54:49 - :58:08

Shot Type: Subjective Scene

Girlhood_S25

The girls get mocked because of Lady’s lost fight in their own neighborhood Subjective shot (POV, semi-subjective), tagged at 1 Avenue Jean Lolive, 93170 Bagnolet, France

Clip: :52:52 - :54:48

Shot Type: Subjective Scene

Girlhood_24

The girls play mini-golf at Parc Floral de Paris, Route de la Pyramide, 75012 Paris, France

Clip: :50:10 - :52:51

Shot Type: Objective Scene

Girlhood_S23

The girls meet at a photomaton. Marieme's POV illustrated in the shot. Scene tagged at Les Halles Les Halles

Clip: :49:09 - :50:09

Shot Type: Subjective Scene

Girlhood_S22_UNIDLOC_SET

Fade to black cut to Ismaël and Marieme in a bed in Ismaël's room. 43 Rue Charles Delescluze Bâtiment 493170 Bagnolet

Clip: :47:30 - :49:08

Shot Type: Objective Scene

Girlhood_S21

M’s mother tries to get her a job at Les Quatre Temps, where she works. M. is shot outside Les Quartre Temps. A cut to an interiour shows her talking to her mother. After she changes her clothes, the emphasis is again on the act of walking- on her shoes as she goes on to clean the rooms. At the end of the shift she threatens her mother’s boss asking her to tell her mother that the job for her became unavailable. The scene ends with a shot showing M. looking outside the window seeing Paris at night on the soundtrack of her musical theme. Her perspective is mostly blurred. The sequence ends with a phone video of Lady’s humiliation, supposedly watched by M. Subjective scene, tagged at 15 Parvis de la Defense, 92092 Paris La Défense, France

Clip: :44:42 - :47:29

Shot Type: Subjective Scene

Girlhood_S20_UNIDLOC_SET

Ismael follows M. in the neighborhood they go into a building. The light goes off and it’s suddenly dark. Their kiss takes place in front of a blue wall. Objective shot tagged at 45 Rue Charles Delescluze Bagnolet

Clip: :42:46 - :44:01

Shot Type: Objective Scene

Girlhood_S19_UNIDLOC

Lady loses the fight while Marieme is watching. POV shot (subjective), tagged at 112-114 Rue Charles Delescluze, 93170 Bagnolet, France

Clip: :40:49 - :42:45

Shot Type: Subjective Scene

Girlhood_S18_UNIDLOC

Lady is shown putting make-up in a mirror in the bathroom of a fast-food restaurant, Marieme is watching her. Subjective shot, tagged at

Clip: :40:17 - :40:48

Shot Type: Subjective Scene

Girlhood_S17_SET

S17 HOME Marieme arrives at home, shots show her taking off her shoes, walking carefully past her brother who wakes up and threatens her but she manages to escape as her little sister wakes up. In her room, she looks at the dress one more time. POV shot, mise-en-scène (subjective shot).

Clip: :37:50 - :40:16

Shot Type: Subjective Scene

Girlhood_S16

S16 THE NEIGHBORHOOD Marieme returns the next morning to the neighborhood. Camera her tracks her movements and shows her perspective (semi-subjective shot) . She sees a group of boys and talks to Ismael. In the conversation, shot in SRS, Ismael tells her that they cannot be together because he is friends with her brother. Another shot, on M’s musical theme, shows M. in a LS walking framed against the apartment blocks. Scene tagged at 93 Rue Charles Delescluze, 93170 Bagnolet, France

Clip: :35:28 - :37:49

Shot Type: Subjective Scene

Girlhood_S15_SET

The girls arrive at the hotel. They are shot in the hotel corridor and then as they enter the room. They watch TV, eat snacks, drink and smoke. M’s brother calls her but Lady (in a bathroom scene) tells her not to pick up, encouraging her to say “Je fais ce que je veux.” Lady also gives her a necklace with the name (Vic), Victoire, marking her new identity. The lighting changes to deep blue when Lady starts lip syncing on Rihanna’s hit “Dimonds”. Marieme joins the group the last, watching them from the bed. Finally, in the last shot, the girls are all asleep on the bed. Subjective scene: Marieme’s POV shots.

Clip: :26:03 - :35:07

Shot Type: Subjective Scene

Girlhood_S14

24.17-26.02 A tracking shot on M’s feet show her capacity of movement. Camera tracks upwards on her body. She is shown harassing a girl and getting money. The camera tracks her movements laterally as she rejoins the gang. Subjective shot (Movement, spatial practice)

Clip: :24:17 - :26:02

Shot Type: Subjective Scene

Girlhood_S13

Marieme is in the elevator in her building. On a fade to black the musical theme continues. A second shots shows a wall painted in two shades of blue. There is a visual bridge as well: we see M. from behind, but her hair is straightened, with blue reflexes. She turns around in the elevator in the last shot of the sequence Subjective shot (musical theme that connotes empowerment, resilience and change)

Clip: :24:05 - :24:16

Shot Type: Subjective Scene

Girlhood_S12_UNIDLOC

Marieme is in the kitchen doing the dishes. For the first time, we see her mother arrive. She lies about her progress at school. The camera frames her in a statuesque manner from the profile and tracks on her body, as the musical theme associated with Marieme begins. Another shot shows her from behind, in front of the sink and kitchen wall. With no exit in sight, Marieme attempts to find a way out, as the soundtrack highlights. Subjective shot (musical theme). Tagged at : Square de la Place Jean Pierre Timbaud, 93100 Montreuil, France UNIDLOC

Clip: :22:17 - :24:04

Shot Type: Subjective Scene

Girlhood_S11

20.17- 22.16 The girls dance in the metro.The camera pans from Lady to Marieme linking them and indicating their budding friendship, while the other two girls cheer on. Objective scene.

Clip: :20:17 - :22:16

Shot Type: Objective Scene

Girlhood_S10

The girls see a rival gang on an opposite métro platform and a verbal confrontation begins. The Parisian map is decentered here, we can see only one peripheral corner- rendering the marginalization of the girls in the city center more poignant. POV Shots – subjective scene, tagged at Châtelet-Les Halles.

Clip: :19:13 - :20:16

Shot Type: Subjective Scene

Girlhood_S9

The girls are framed as a group walking and laughing. Tracking backwards. Objective shot, Tagged at Les Halles, 12 Cour Carrée. 18.42- 19.12

Clip: :18:42 - :19:12

Shot Type: Objective Scene

Girlhood_S8

The girls go into an unidentified clothing store at Les Halles. The three girls amuse themselves looking at the dresses in the store. Marime is shown behind them, in shallow focus looking at them. In the next cut, the camera follows Marieme who looks at the clothing. The store clerk intrusively follows her, suspecting her of stealing. The other girls take her defense. This is the first gesture of solidarity and afterwards, the girls will be framed as a group. Subjective shot tagged at 12 Cour Carrée, 75001 .

Clip: :17:24 - :18:41

Shot Type: Subjective Scene

Girlhood_S7

The girls arrive at Châtelet-Les Halles. The camera tracks, emphasizing their movement and perspective (Shots from behind the protagonists). Subjective scene due to the emphasis on spatial practices. Tagged at Châtelet-Les Halles

Clip: :16:32 - :17:23

Shot Type: Subjective Scene

Girlhood_S6

The girls take the RER to go to Paris. Several POV shots from Marieme's perspective checking out the girls who sit across her . Scene tagged at : 1 Place des Martyrs de la Résistance et de la Deportion, 93110 Rosny-sous-Bois, France (Gare de Rosny-Sous-Bois), RER- geographic proximity.

Clip: :15:49 - :16:31

Shot Type: Subjective Scene

Girlhood_S5

Marieme meets three other girls in the courtyard,Assa Sylla (Lady) Lindsay Karamoh (Adiatou), and Mariétou Touré (Fily). Multiple POV shots from Marieme's perspective. Although first Marieme refuses their invitation to go to the city center of Paris, changes her mind when she sees that the girls know Ismaël.

Clip: :12:17 - :15:48

Shot Type: Subjective Scene

Girlhood_S4

At school, Marieme is told by the counselor that she would have to go to professional school. The camera focuses in a MS on Marieme and her pleas with the counselor, who does not understand her private situation. Marieme is told that she would have to go to professional school. We never see the school counselor in a scene reminiscent of the 400 Coups. The camera focuses in a MS on Marieme and her pleas with the counselor, who does not understand her private situation Shot tagged at: College Albert Camus, 22 Rue Jean Allemane, 93110 Rosny-sous-Bois, France

Clip: :10:55 - :12:16

Shot Type: Objective Scene

Girlhood_S3_UNIDLOC

Marieme arrives at home where she is has dinner with her sisters. Her mother is absent and his brother is a violent and dominating presence. Several POV shots show Marieme's perspective (looking out the window, playing a videogame). The mise-en-scène emphasizes the color blue, associated with the heroine. Scene tagged at Square de la Place Jean Pierre Timbaud, 93100 Montreuil, France (UNIDLOC)

Clip: :06:39 - :10:54

Shot Type: Subjective Scene

Girlhood_S2

The girls return to their neighborhood at night. They slowly disperse as they walk toward their apartments. The camera stays with Mariame (Karidja Touré). She meets and briefly talks to Ismaël (Idrissa Diabaté), her brother's friend, whom she visibly likes. Subjective shot, POV shot. Scene tagged at 5 rue Irène et Fréderic Joliot Curie, Montreuil, Quartier de la Noue-Clos-Français.

Clip: :3:38 - :6:38

Shot Type: Subjective Scene

Girlhood_S1

The opening sequence of the film in which two women's teams play American football. Sequence tagged at Stade Jacques Anquetil, 82 rue Pierre Boudou 92600 Asnières-sur-Seine, France (Les Molosses, a women's team, are credited in the film). Subjective scene due to spatial practices.

Clip: :03:7 - ::

Shot Type: Subjective Scene

Chaos_S92

Hélène and Noémie/Malika buy two tickets for Marseilles at the Airport Roissy-Charles de Gaulle. Subjective shot.

Clip: 1:42:23 - 1:42:29

Shot Type: Subjective Scene

Chaos_S91

Noémie/Malika arrives at Hélène's home, asking her to help save her sister. Subjective shot tagged at 2 rue de Dupuytren.

Clip: 1:41:40 - 1:42:13

Shot Type: Subjective Scene

Chaos_S90

Noémie/Malika meets Paul at Gare Montparnasse. Subjective Shot.

Clip: 1:36:54 - 1:37:41

Shot Type: Subjective Scene

Chaos_S89

Noémie/Malika returns home and tries to convince her sister, Zohra, to come with her. Subjective shot: POV and monologue. UNIDLOC tagged at : Place d'Armes, Saint-Ouen, Paris

Clip: 1:33:48 - 1:36:30

Shot Type: Subjective Scene

Chaos_S88

Noémie/Malika and Fabrice, Hélène's son spend the evening on the banks of the Seine, with the Pont Neuf in the background. Subjective shot (Aff. POV) tagged at Quai de Conti, Paris.

Clip: 1:33:29 - 1:33:47

Shot Type: Subjective Scene

Chaos_S87

Noémie/Malika meets Hélène's son in a café. UNIDLOC tagged at 130 Boulevard de Saint-Germain. Subjective (Affective POV)

Clip: 1:32:52 - 1:33:05

Shot Type: Subjective Scene

Chaos_S86

Hélène and Noémie watch their plan unfold from their room in Hôtel Lutetia,45 Boulevard Raspail, 75006 Paris,. POV Shot subjective.

Clip: 1:30:20 - 1:32:11

Chaos_S85

Clip: 1:30:01 - 1:30:09

Shot Type: Subjective Scene

Chaos_S84

Hélène arrives at the Hôtel Lutetia

Clip: 1:29:38 - 1:29:44

Shot Type: Subjective Scene

Chaos_S83

Hélène returns for a brief moment home. Subjective shot (POV)

Clip: 1:28:5 - 1:29:37

Chaos_S82UNIDLOC

Hélène meets with Noémie/Malika and her son. UNIDLOC tagged at : 130 Boulevard de Saint-Germain (Odeeon UGC Danton- movie theater visible in the shot).

Clip: 1:26:59 - 1:28:47

Shot Type: Subjective Scene

Chaos_S81

Hélène returns for a brief moment home. Subjective shot tagged at 2 rue de Dupuytren, Paris, 6e.

Clip: 1:26:42 - 1:26:51

Shot Type: Subjective Scene

Chaos_S80UNIDLOC

Noémie/Malika calls Touki and Pali. She gives instructions to Hélène to call the police. POV (Subjective). UNIDLOC tagged at Sévrès Babylon

Clip: 1:25:50 - 1:26:34

Shot Type: Subjective Scene

Chaos_78

Noémie/Malika explains her plan to Zoriza, while Hélène is watching. POV- Subjective. Tagged at 129 Quai de Valmy

Clip: 1:25:21 - 1:25:49

Shot Type: Subjective Scene

Chaos_78

Hélène joins Noémie/Malika and her friend.

Chaos_S77

Noémie/Malika picks up a friend, Zoriza, working on the Boulevard Extérieurs. Shot tagged at Avenue de la Porte Pantin, 19e.

Clip: 1:24:28 - 1:25:54

Shot Type: Subjective Scene

Chaos_S76

Hélène and Malika arrive at Porte de Pantin. Hélène will wait for Malika at Café de l'Horologe. Affective POV (Subjective)

Clip: 1:24:14 - 1:24:27

Shot Type: Subjective Scene

Chaos_S75_UNIDLOC

Noémie and Hélène rent a car at an Avis Location. UNIDLOC- tagged at 184 Rue du Faubourg Saint-Martin, 10e. Emotional POV (Subjective)

Clip: 1:24:03 - 1:24:13

Shot Type: Subjective Scene

Chaos_S74

Noémie/Malika calls Hélène from her room in Hotel Lutetia, 45 Boulevard Raspail, Paris, 6e. POV shot as Noémie looks at herself in the mirror (Subjective)

Clip: 1:23:58 - 1:24:02

Shot Type: Subjective Scene

Chaos_S73_UNIDLOC

Noémie/Malika calls Hélène at her workplace, asking for help. Hélène's POV and camera's movement show the urgency of the situation (Subjective). UNIDLOC tagged at : 40 rue de Rivoli.

Clip: 1:23:50 - 1:23:57

Shot Type: Subjective Scene

Chaos_S72

At home, Hélène tells her husband and son that it was the last time she cooked for them.

Clip: 1:20:30 - 1:21:34

Shot Type: Subjective Scene

Chaos_S71

Arriving at the Charles de Gaulle Airport, Hélène and Paul talk to the police, while Noémie manages to pass by unnoticed and leaves. Noémie's voice over and spatial practices render the scene subjective.

Clip: 1:18:58 - 1:20:29

Shot Type: Subjective Scene

Chaos_S70

Noémie runs into Hélène and Paul. Noémie's voice over.

Clip: 1:11:23 - 1:11:40

Shot Type: Subjective Scene

Chaos_S69

Noémie makes her escape from Chez Moune, 54 rue Jean-Baptiste Pigalle, Paris, 9e.

Chaos_S68

Noémie, returned to work on the Boulevard Extérieurs, is chased by her pimps who suspect she has hidden the fortune of her Swiss lover. Tagged at : Avenue de la Porte de Pantin 75019 Paris, France. Noémie's voice over.

Clip: 1:10:16 - 1:10:37

Shot Type: Subjective Scene

Chaos_S67

Noémie/Malika hides the real passports on the top of a bus shelter. Shot tagged at Avenue de la Porte de Pantin 75019 Paris, France. Noémie/Malika's voice over.

Clip: 1:09:46 - 1:09:52

Shot Type: Subjective Scene

Chaos_S66

Noémie and Touki leave for Genève, convincing the organization that they can make more money there. Tagged at Gare de Lyon, 12. (Noémie's VO)

Clip: 1:03:01 - 1:03:

Shot Type: Subjective Scene

Chaos_S65

Noémie goes to seek help at SOS Racisme (28 rue de Petites Ecuries, Paris, 10). Noémie's voice over.

Clip: 1:02:30 - 1:03:00

Shot Type: Subjective Scene

Chaos_S64

Pali catches Noémie winning at the stock market. Shot tagged at Société Alter Finance 66 Rue François 1er, 75008 Paris. (Noémie's voice over)

Clip: 1:02:11 - 1:02:18

Shot Type: Subjective Scene

Chaos_S63

Noémie convinces Touki to open a bank account under her name. Tagged at Société Alter Finance 66 Rue François 1er, 75008 Paris. (Noémie's voice-over)

Clip: 1:01:55 - 1:02:06

Shot Type: Subjective Scene

Chaos_S62

Noémie learns about investments from Pali, the boss of the prostitution ring. Tagged at : Societe Alter Finances 66 Rue François 1er, 75008 Paris, France. (Voice over)

Clip: 1:01:39 - 1:01:54

Shot Type: Subjective Scene

Chaos_S61

Noémie reads a financial newspaper on the Boulevards Extérieurs. Tagged at Avenue de la Porte Pantin, 19. Subjective scene (Voice over)

Clip: 1:01:10 - 1:01:33

Shot Type: Subjective Scene

Chaos_S59

Noémie stops taking drugs and hides them in the bathroom of the bar Chez Moune, 54 rue Jean-Baptiste Pigalle, Paris. Subjective scene (Noémie's voice over).

Clip: 1:00:55 - 1:01:09

Shot Type: Subjective Scene

Chaos_S52_UNIDLOC

Malika/Noémie takes care of her siblings in the Parisian apartment of her father's second wife. Unidentified location, tagged at : Place d'Armes, Saint-Ouen. Subjective scene told in voice-over by Noémie/Malika.

Clip: :52:58 - :53:48

Shot Type: Subjective Scene

Chaos_S58

Noémie/Malika on the Boulevards Extérieurs, reading about financial investments. Tagged at the Avenue de la Porte Pantin, 19.

Clip: 1:00:45 - 1:00:54

Shot Type: Subjective Scene

Chaos_S57

Noémie/Malika hides part of the money she is making. Subjective shot (spatial practice, and fear conveyed by the camera movement). Tagged at Avenue de la Porte Pantin, 19.

Clip: 1:00:30 - 1:00:45

Shot Type: Subjective Scene

Chaos_S56

Noémie/Malika returns on the Boulevards Extérieurs (Subjective, voice over)

Clip: 1:00:20 - 1:00:29

Shot Type: Subjective Scene

Chaos_S55_UNIDLOC

Noémie/Malika goes to see her sister. She manages to get the passport for her and her sister before she is thrown out of the apartment by her step mother. POV shot when N/M waits outside the building+spatial practice (Unidentified location, tagged at Place d'Armes, Saint-Ouen.

Clip: :59:18 - 1:00:15

Shot Type: Subjective Scene

Chaos_S54

Noémie/Malika on the Boulevards extérieurs (Subjective scene). Tagged at Avenue de la Porte Pantin, 19.

Clip: :58:56 - :59:17

Shot Type: Subjective Scene

Chaos_S53

Noémie/Malika arrives from Marseilles, with her pimp Touki. Tagged at Gare de Lyon, Paris, subjective scene (voice over)

Clip: :58:45 - :58:55

Shot Type: Subjective Scene

Chaos_S51

Hélène, on the train, goes back to Mamie with Malika/Noémie's passports. Subjective shot (POV). Tagged at Gare de Lyon.

Clip: :50:54 - :51:10

Shot Type: Subjective Scene

Chaos_S50

Hélène finds Malika/Noémie's passeport hidden on an street close to the Boulevards extérieurs (The outter ring). (POV, spatial practice). Image tagged at Avenue de la Porte de Pantin 75019 Paris, France.

Clip: :49:29 - :50:36

Shot Type: Subjective Scene

Chaos_S49

Hélène leaves the Porte de Pantin métro exit. Subjective shot (spatial practices) tagged at Porte de Pantin, Paris

Clip: :49:21 - :49:28

Shot Type: Subjective Scene

Chaos_S48

Hélène goes into the subway at Gare de Lyon. Subjective shot (Spatial practice and disguise emphasized) tagged at Place Louis Armand, Gare de Lyon, Paris.

Clip: :49:15 - :49:20

Shot Type: Subjective Scene

Chaos_S47

Hélène arrives at the Gare de Lyon. Subjective scene as the camera focuses on her spatial practices. Tagged at Gare de Lyon, Paris

Clip: :49:10 - :49:15

Shot Type: Subjective Scene

Chaos_S46

Hélène rescues Noémie in front of the hospital Saint Georges (Hospital Broussais) (Tagged at 96 Rue Didot)

Clip: :44:14 - :45:49

Shot Type: Subjective Scene

Chaos_S45

Hélène talks to her son as she suddenly realizes that Noémie might be in trouble. She runs out of the house and gets into a cab to go find her.

Clip: :42:43 - :43:34

Shot Type: Subjective Scene

Chaos_S44

Clip: :41:27 - :42:30

Shot Type: Objective Scene

Chaos_S43

Hélène acquires her own perspective in the conversation with her husband.

Clip: :40:48 - :41:07

Shot Type: Subjective Scene

Chaos_S42

Hélène talks to her son's girlfriends, conversation screened in a SRS.

Clip: :39:44 - :40:18

Shot Type: Subjective Scene

Chaos_S37

Hélène watches as Touki is picked up by the police.

Clip: :33:00 - :33:36

Shot Type: Subjective Scene

Chaos_36

Hélène returns to the hospital to announce that Noémie will recover from her paralysis.

Clip: :31:12 - :31:24

Shot Type: Objective Scene

Chaos_S35

Hélène takes the métro (presumably from Les Halles) and she remembers that Noémie moved her thumb. Tagged at Métro Les Halles.

Clip: :31:04 - :31:11

Shot Type: Objective Scene

Chaos_S34

Hélène goes to the Forum des Halles, in the inner courtyard next to the Pygmalion statue by Julio Silva, where she she pays a kid to call the police to tell them where to find a pimp they were looking for. It shows Hélène's increasingly subversive practices. Tagged at Forum des Halles, 101 Porte Berger

Clip: :30:13 - :31:03

Shot Type: Subjective Scene

Chaos_S33

Hélène overhears Touki threatening Noémie in the hospital room. She then follows Touki in the streets and hits him on the head with a wooden plank. She comes back int the room and tells Noémie about how she god rid of her aggressor. Tagged at 96 Rue Didot 75014

Clip: :29:32 - :30:12

Shot Type: Subjective Scene

Chaos_S32

Hélène watches Noémie during physical therapy

Clip: :25:57 - :26:25

Shot Type: Subjective Scene

Chaos_S31

Hélène discovers that Noémie can move her foot. Tagged at 96 Rue Didot 75014

Clip: :24:22 - :24:44

Shot Type: Subjective Scene

Chaos_S30

Hélène helps Noémie with her rehabilitation at the hospital. Tagged at 96 Rue Didot 75014

Clip: :23:27 - :23:57

Shot Type: Objective Scene

Chaos_S29

Hélène washes her face at night in a square with water. Tagged at Square Courteline, 75012 Paris,

Clip: :23:09 - :23:26

Shot Type: Objective Scene

Chaos_S28_UNIDLOC

Hélène goes to a bar and has a drink. She calls Paul from the basement. UNIDLOC tagged at 62 Boulevard de Picpus 75012 Paris (next shot takes places in the adjacent Square Courteline).

Clip: :21:48 - :23:08

Shot Type: Objective Scene

Chaos_S27

Hélène expresses her desire to stay with Noémie and help during her recovery. POV shot. Tagged at 96 Rue Didot, 75014

Clip: :21:31 - :21:47

Shot Type: Subjective Scene

Chaos_S26

Hélène sees Touki and his accomplice who are trying to find Noémie. The hallway scene was shot at the Hospital Antoine Béclère (Clamart) , but the floor scenes at Hopital Broussais Tagged at 96 Rue Didot, 75014

Clip: :18:26 - :21:11

Shot Type: Subjective Scene

Chaos_S25

Hélène, back at the hospital, talks to Noémie, encouraging her to get better. Tagged at 96 Rue Didot, 75014

Clip: :17:07 - :17:49

Shot Type: Subjective Scene

Chaos_S24

Hélène has a fight with Paul who was contacted by the police. She packs a few things and leaves home.

Clip: :15:52 - :16:53

Shot Type: Objective Scene

Chaos_S23

Hélène goes to the office and asks for a few days off. Unidentified location tagged at 40 rue de Rivoli

Clip: :15:35 - :15:51

Shot Type: Objective Scene

Chaos_S22

Hélène goes back to the hospital where two policemen want to ask her a couple of questions. POV from Hélène's perspective and a distinct POV acknowledging the presence of the camera.96 Rue Didot, 75014

Clip: :15:26 - :15:34

Shot Type: Subjective Scene

Chaos_S21

Hélène has a quick breakfast and leaves.

Clip: :14:40 - :15:25

Shot Type: Objective Scene

Chaos_S20

Mamie leaves from Gare de Lyon

Clip: :14:39 - :14:49

Shot Type: Objective Scene

Chaos_S19

Hélène arrives home in the early morning.

Clip: :13:56 - :14:38

Shot Type: Objective Scene

Chaos_S18

Hélène is sent home by a doctor.Tagged at 96 Rue Didot, 75014

Clip: :13:40 - :13:55

Shot Type: Objective Scene

Chaos_S17

Mamie cannot sleep at night.

Clip: :13:32 - :13:29

Shot Type: Subjective Scene

Chaos_S16

Hélène waits outside the emergency room at the hospital. Tagged at 96 Rue Didot, 75014

Clip: :12:23 - :13:20

Shot Type: Objective Scene

Chaos_S15

Mamie watches TV alone in her room.

Clip: :12:12 - :12:22

Shot Type: Subjective Scene

Chaos_S14

Hélène watches over Noémie at the hospital during the night. Numerous POVs. Tagged at 96 rue de Diderot.

Clip: :11:32 - :11:55

Shot Type: Subjective Scene

Chaos_S13

Mamie meets with Paul at the Brasserie Saint-Antoine (in the film, today: Les Blouses Blanches). Images Tagged at 186 rue du Faubourg St Antoine (10min55s)

Clip: :10:49 - :11:20

Shot Type: Subjective Scene

Chaos_S12

Hélène is at the hospital when Malika has a cardiac arrest. POV shots and fast pans illustrate her fear. Tagged at 96 Rue Didot, 75014.

Clip: :10:03 - :10:48

Shot Type: Subjective Scene

Chaos_S11

Hélène feels increasingly alienated at home and has nightmares about Noémie. Imaged tagged at 2 rue de Dupuytren.(9min02)

Clip: :08:57 - :10:02

Shot Type: Subjective Scene

Chaos_S10

Mamie eats alone at the Hotel des Capucines (today Hotel Pavillion Montmartre). Tagged at 5 rue Aristide Bruant. (08min09s)

Clip: :8:04 - :8:56

Shot Type: Objective Scene

Chaos_S9

Hélène visits Noémie at the Hospital Saint-Georges. The scene was filmed in Hospital Broussais. Tagged at 96 rue de Didot. (7min55)

Clip: :7:29 - :8:03

Shot Type: Subjective Scene

Chaos_S8

At home Hélène calls the police to find out in which hospital Noémie is. Tagged at 2 rue de Dupuytren (7min18s)

Clip: :7:08 - :7:29

Shot Type: Objective Scene

Chaos_S7

Hélène drops off a present for her son, Fabrice, who pretends not to be home. Tagged at 98 rue Jean-Pierre Timbaud (5min56s). She then sits down at a café terrace (now Onze Bar, 83 rue Jean-Pierre Timbaud) and sees him leave the studio.

Shot Type: Subjective Scene

Chaos_S6

Hélène leaves her office (presumably). Unidentified location. Tagged at 40 rue de Rivoli (5min33s)

Clip: :5:30 - :5:35

Shot Type: Objective Scene

Chaos_S5

Mamie drops by Hélène and Paul's apartment to bring a gift, only to find out that her son pretended to not be home. Shot tagged at 2 rue de Dupuytren (04.min28s)

Clip: :3:25 - :5:30

Shot Type: Subjective Scene

Chaos_S4

Paul's mother, Mamie (Line Renaud), arrives at the Gare de Lyon. Shot tagged at Gare de Lyon (o3.min18s)

Clip: :03:13 - :03:24

Shot Type: Objective Scene

Chaos_S3_UNIDLOC

Paul and Hélène go to a car wash to wash the blood off the windshield. Unidentified location (03min11s) Tagged at Auto Logique (Car Wash) 12 Passage Lepic 75018 Paris France (proximity)

Clip: :02:02 - :03:13

Shot Type: Subjective Scene

Chaos_S2

Hélène and Paul do not help Noémie (Rachida Brakni) and witness her aggression. Tagged at 21 rue Victor Masse (00min.46s).

Clip: :00:41 - :02:01

Shot Type: Subjective Scene

Chaos-1

Hélène (Catherine Frot) and her husband leave their apartment to go to a dinner.

Shot Type: Objective Scene

Amelie-S85

Amélie and Nino ride through Montmartre. Fast montage ending the film. Shot tagged atSquare Louise Michel6 Place Saint-Pierre75018 Paris

Clip: 1:57:59 - ::

Shot Type: Subjective Scene

Amelie_S82

Amélie and Nino finally meet.

Clip: 1:53:55 - ::

Shot Type: Subjective Scene

Amelie_S82

Amélie arrives at Gare du Nord to meet Nino.

Clip: 1:41:57 - ::

Shot Type: Subjective Scene

Amelie_S81

Amélie and Nino at Le Café des Deux Moulins 15 Rue Lepic 75018 Paris.

Clip: 1:38:07 - ::

Shot Type: Subjective Scene

Amelie-S80

Amélie in her home (seen by Raymond Dufael)

Clip: 1:33:22 - ::

Shot Type: Objective Scene

Amelie_S79

Amélie at Gare du Nord (facade).

Clip: 1:28:05 - ::

Shot Type: Subjective Scene

Amelie_S77

Amélie sees Nino's posters: Où and quand.

Clip: 1:26:29 - ::

Shot Type: Subjective Scene

Amelie_S76

Amélie falsifies a letter for Madeleine Wallace

Clip: 1:23:44 - ::

Shot Type: Subjective Scene

Amelie_S75

Amélie in Collignon's apartment.

Clip: 1:21:32 - ::

Shot Type: Subjective Scene

Amelie_S74

Amélie defends Julien at the Marché de la Butte (corner of rue des Trois Freres at rue Androuet), tagged at Rue Androuet 1.

Clip: 1:20:55 - ::

Shot Type: Subjective Scene

Amelie_S73

Amélie steals Madeleine Wallace's letters

Clip: 1:18:52 - ::

Shot Type: Objective Scene

Amelie_S72

Amélie at Square Louise Michel, 6 Place Saint-Pierre, 75018 Paris.

Clip: 1:16:19 - ::

Shot Type: Objective Scene

Amelie_S71

Amélie at the Square Louise Michel, 6 Place Saint-Pierre, 75018 Paris

Clip: 1:14:12 - ::

Shot Type: Subjective Scene

Amelie-S69

Amélie, looking for Nino, arrives at the sex shop Palace Vidéo, tagged at 37 Boulevard de Clichy, Paris.

Clip: 1:08:53 - ::

Shot Type: Objective Scene

Amelie_S78

Amélie goes into a store to buy a Zorro costume at Au Clown de la République, 11 Boulevard de Saint Martin, Paris.

Clip: 1:26:50 - ::

Shot Type: Objective Scene

Amelie_S67

Amélie visits her neighbor, Raymond Dufayel.

Clip: 1:08:37 - ::

Shot Type: Subjective Scene

Amelie_S66

Amélie at the café setting up the encounter between Georgette and Joseph.

Clip: 1:8:18 - ::

Shot Type: Subjective Scene

Amelie_S65

Amélie at home.

Clip: :58:59 - ::

Shot Type: Objective Scene

Amelie_S64

Amélie arrives at Gare de l'Est and sees the fliers Nino posted.

Clip: :58:45 - ::

Shot Type: Subjective Scene

Amelie_S63

Amélie visits her father who shows her the pictures of the garden gnome.

Clip: :57:27 - ::

Shot Type: Subjective Scene

Amelie_S62

Amélie on the train goes to visit her father.

Clip: :57:08 - ::

Shot Type: Objective Scene

Amelie_S61

Clip: :55:42 - ::

Shot Type: Objective Scene

Amelie_S60

Amélie at work. Le Café des Deux Moulins 15 Rue Lepic 75018 Paris.

Clip: :54:4 - ::

Shot Type: Subjective Scene

Amelie_S59

Clip: :53:46 - ::

Shot Type: Objective Scene

Amelie_S58_UNIDLOC

Tagged at Rue Androuet 1.

Clip: :53:36 - ::

Shot Type: Objective Scene

Amelie_S57

Amélie at Le Marché de la Butte, tagged at Rue Androuet 1.

Clip: :53:26 - ::

Shot Type: Subjective Scene

Amelie_S56

Clip: :52:26 - ::

Shot Type: Objective Scene

Amelie_S55

Shot Type: Objective Scene

Amelie_S54

Amélie shows the album to M. Dufayerl.

Clip: :50:04 - ::

Shot Type: Subjective Scene

Amelie_S53

Amelie in front of the Café des deux Moulins.

Clip: :49:18 - ::

Shot Type: Objective Scene

Amelie_S52

Amélie at Les 2 moulins.

Clip: :47:39 - ::

Amelie_S51

Amélie finds Nino's album at Gare de l'Est.

Clip: :44:01 - ::

Shot Type: Subjective Scene

Amelie_S51

Amélie following Nino at gare de l'Est (tagged at 46 Rue d'Alsace, Paris, Île-de-France)

Clip: :42:48 - ::

Shot Type: Subjective Scene

Amelie_S49

Amélie arrives in Gare de L'Est /Gare du Nord. Tagged at Gare de l'Est.

Clip: :42:20 - ::

Shot Type: Objective Scene

Amelie_S48

Amélie at the train station in Enghiens-Les-Bains.

Clip: :41:43 - ::

Shot Type: Objective Scene

Amelie_S47

Amélie at her father's home stealing the garden gnome.

Clip: :41:38 - ::

Shot Type: Objective Scene

Amelie_S46

Amélie takes the train to visit her father.

Clip: :40:54 - ::

Shot Type: Objective Scene

Amelie_S45

Amélie in her home

Clip: :45:38 - ::

Shot Type: Subjective Scene

Amelie_S44

Amélie and the blind man at the end of their journey at the Métro stop Lamarck-Caulaincourt, Paris

Shot Type: Subjective Scene

Amelie_S43

Amélie on Le Pont des Arts

Clip: :36:34 - ::

Shot Type: Objective Scene

Amelie_S42

Amélie and Bretodeau at Le verre à pied, 118 bis, rue du Mouffetard, Paris.

Clip: :36:26 - ::

Shot Type: Objective Scene

Amelie_S41

Amélie watching DB from Le verre à pied 118 bis, rue du Mouffetard, Paris.

Clip: :33:08 - ::

Shot Type: Subjective Scene

Amelie_S40

Amélie visits her neighbor, Raymond Dufael. Image tagged at 56 rue des Trois Frères, Paris.

Clip: :30:40 - ::

Shot Type: Subjective Scene

Amelie_S39-FIC

Amélie returns home. Shot tagged at 56 rue des Trois Frères, Paris.

Clip: :29:37 - ::

Shot Type: Objective Scene

Amelie_S38

Amélie last stop, looking for Dominique Bredotot. 15 Rue Léon Lhermitte 75015 Paris

Clip: :29:29 - ::

Shot Type: Subjective Scene

Amelie_S37_UNIDLOC

Amélie in the métro tagged at Métro Felix Faure.

Clip: :29:13 - ::

Shot Type: Objective Scene

Amelie_S36

Amélie 6 rue de Jasmin.

Clip: :28:52 - ::

Shot Type: Subjective Scene

Amelie_S34

Amélie in the Métro, tagged at La Motte-Piquet-Grenelle

Clip: :28:28 - ::

Shot Type: Objective Scene

Amelie_S35

Amélie arriving at 6 rue Jasmin.

Clip: :28:33 - ::

Shot Type: Objective Scene

Amelie_S33

Amélie in front of the La Motte-Piquet-Grenelle. Invented topography. Image tagged at La Motte-Piquet-Grenelle.

Clip: :28:21 - ::

Shot Type: Subjective Scene

Amelie_S32

Amélie meeting the first Dominique Bredotot. Shot tagged at 15 rue colonel driant, Paris

Clip: :27:59 - ::

Shot Type: Subjective Scene

Amelie_S31

Amélie at work. Le Café des Deux Moulins 15 Rue Lepic 75018 Paris.

Clip: :27:37 - ::

Shot Type: Subjective Scene

Amelie_S30

Amélie and her father with the garden gnome. Shot tagged at 5 Allée Chevillard, 95600 Eaubonne, France

Clip: :25:19 - ::

Shot Type: Objective Scene

Amelie_S29

Amélie visits her father. Shot tagged at 5 Allée Chevillard, 95600 Eaubonne, France

Clip: :25:05 - ::

Shot Type: Objective Scene

Amelie_S28

Amélie meets Nino at the Métro stop Abbesses.

Clip: :24:45 - ::

Shot Type: Subjective Scene

Amelie_S27

Amélie and Nino in a split screen during their childhood.

Clip: :24:33 - ::

Shot Type: Objective Scene

Amelie_S26

Amélie encounters Nino

Clip: :23:55 - ::

Shot Type: Subjective Scene

Amelie-S23-FIC

Amelie pays a visit to the concierge Madeleine Wallace. Shot tagged at 56 rue des Trois Frères, Paris.

Clip: :17:26 - ::

Shot Type: Subjective Scene

Amelie_S25

Amélie visits Collignon's parents. House tagged at 15 Rue du Chemin de Fer 94230 Cachan

Clip: :21:27 - ::

Shot Type: Subjective Scene

Amelie-S25

Amélie at the Marché de la Butte (corner of rue des Trois Freres at rue Androuet), tagged at 1 Rue Androuet.

Clip: :20:54 - ::

Shot Type: Subjective Scene

Amelie-S22-FIC

Amélie in her apartment.

Clip: :16:55 - ::

Shot Type: Objective Scene

Amelie_S21

Amelie discovers a little boy's hidden treasure in her apartment (56 rue des Trois Frères)

Clip: :16:37 - ::

Shot Type: Subjective Scene

Amelie-S13

Amélie visits her father. Shot tagged at 5 Allée Chevillard, 95600 Eaubonne, France

Shot Type: Objective Scene

Amelie-S14-FIC

Amélie in her apartment. Tagged at 56 rue des Trois Freres.

Clip: :13:36 - ::

Shot Type: Objective Scene

Amelie-S20

Amélie counts the number of orgasms occurring in Paris.

Clip: :15:30 - ::

Shot Type: Objective Scene

Amelie-S19

Amélie in Montmartre with a panoramic view of Paris.

Clip: :15:15 - ::

Shot Type: Subjective Scene

Amelie-S18-FIC

Amélie in her apartment, tagged at 56 Rue des Trois Frères, 75018, Montmartre, Paris.

Clip: :14:27 - ::

Shot Type: Subjective Scene

Amelie-S17

Amélie skipping stones on a bridge on Canal Saint Martin.

Clip: :14:20 - ::

Shot Type: Objective Scene

Amelie_S16

Amélie cultivates small pleasures. Shot tagged at the Epicerie Collignon 1 rue d'Androuet 75018 Paris)

Clip: :13:45 - ::

Shot Type: Objective Scene

Amelie_S15

Amélie watches Jules et Jim at Cinéma Studio 28 ( 10 Rue Tholozé, 75018 Paris, France).

Clip: :13:08 - ::

Shot Type: Subjective Scene

Amelie_S12

Amélie taking the train at Gare du Nord to visit her father.

Clip: :12:38 - ::

Shot Type: Subjective Scene

Amelie_S11

Amélie at her workplace Le Café de Deux Moulins.

Clip: :10:58 - ::

Shot Type: Objective Scene

Amelie_S10

Amélie leaves home.

Clip: :10:47 - ::

Shot Type: Objective Scene

Amelie_S9

Amélie and her mother at the Notre-Dame Cathedral. Image tagged at 6 Parvis Notre Dame.

Clip: :9:40 - ::

Shot Type: Objective Scene

Amelie_S8

Amélie on the rooftop of her neighbor's house.

Clip: :8:34 - ::

Shot Type: Objective Scene

Amelie_S7

Amélie takes pictures in front of her home. Image tagged at 5 Allée Chevillard, 95600 Eaubonne, France

Clip: :7:45 - ::

Shot Type: Objective Scene

Amelie_S6UNIDLOC

Amélie and her mother release the neurotic fish in a stream of water. Unidentified location, tagged at 25 Avenue Victor Hugo, Soisy-sous-Montmorency, Île-de-France

Clip: :6:55 - ::

Shot Type: Objective Scene

Amelie_S5

Amélie's childhood. Shot tagged at 5 Allée Chevillard, 95600 Eaubonne, France.

Clip: :6:37 - ::

Shot Type: Objective Scene

Amelie_S4

Amelie's childhood. Shot tagged at 5 Allée Chevillard, 95600 Eaubonne, France.

Clip: :6:09 - ::

Shot Type: Objective Scene

Amelie_S3

Amélie's childhood. Shot tagged at 5 Allée Chevillard, 95600 Eaubonne, France.

Clip: :5:54 - ::

Shot Type: Objective Scene

Amelie_S2

The house in which Amélie grows up ( Enghins-Les-Bains on screen), tagged at 5 Allée Chevillard, 95600 Eaubonne, France.

Clip: :5:40 - ::

Shot Type: Objective Scene

Amelie_S1

The house in which Amélie grows up ( Enghins-Les-Bains on screen), tagged at 5 Allée Chevillard, 95600 Eaubonne, France.

Clip: :5:20 - ::

Shot Type: Objective Scene

CandJ_S57

The film ends where it began in Square Susanne Buisson. Only now the roles are reversed. Céline starts chasing Julie.

Clip: 1:32:25 - ::

Shot Type: Subjective Scene

CandJ_S56UNIDLOC

Céline and Julie go boating with the little girl. Unidentified location, tagged at Lac Inférieur, Bois de Boulogne. Tagged at 40 Chemin de Ceinture du Lac Inférieur, 75016 Paris, France.

Clip: 1:30:46 - ::

Shot Type: Subjective Scene

CandJ_S55

Céline and Julie return home with the little girl and find her in the bathroom the next morning.

Clip: 1:29:55 - ::

Shot Type: Subjective Scene

CandJ_S54

Céline and Julie return together to the mysterious house.

Clip: 1:10:27 - ::

Shot Type: Subjective Scene

CandJ_S52UNIDLOC

Céline and Julie rollerblade early morning. Unidentified location tagged at 11 rue Chappe.

Clip: :53:56 - ::

Shot Type: Subjective Scene

CandJ_S51UNIDLOC

Céline and Julie at the library during the night. Shot tagged at 16 avenue de la Porte Montmartre.

75018 Paris

Clip: :52:52 - ::

Shot Type: Subjective Scene

CandJ_S50

At home, Céline and Julie prepare themselves for the imaginary voyage to the mysterious house. Shot tagged at 23 rue Chappe.

Clip: :51:28 - ::

Shot Type: Subjective Scene

CandJ_S49

Julie picks up Céline. Tagged at 4 avenue de Brétigny, Garches

Clip: :26:30 - ::

Shot Type: Subjective Scene

CandJ_S48

Julie is running away after insulting the audience. Tagged at 2-4 Rue du Calvaire

75018 Paris, France

Clip: :25:35 - ::

Shot Type: Subjective Scene

CandJ_S47

Julie takes Céline's place at the cabaret.

Clip: :25:15 - ::

Shot Type: Subjective Scene

CandJ_S46

Céline arrives at the mysterious house.

Clip: :12:07 - ::

Shot Type: Subjective Scene

CandJ_S45

Céline and Julie at home on 23 Rue Chappe.

Clip: 1:31:25 - ::

Shot Type: Subjective Scene

CandJ_S44

Céline and Julie leave the mysterious house taking at taxi. Shot tagged at 1 avenue de Brétigny, Garches

Clip: 1:30:31 - ::

Shot Type: Subjective Scene

CandJ_S43

Céline goes into the garden of the mysterious house and enters the space of a childhood memory

Clip: 1:27:31 - ::

Shot Type: Subjective Scene

CandJ_S42

Julie alone in the morning in her apartment with a view of Montmartre, located at 23 rue Chappe.

Clip: 1:18:52 - ::

Shot Type: Subjective Scene

CandJ_S41

Céline walks to the mysterious house. Shot tagged at 4-8 avenue de Brétigny, Garches.

Clip: 1:16:17 - ::

Shot Type: Subjective Scene

CandJ_S40

Céline and Julie return at Julie's place. Shot located at 23 rue Chappe.

Clip: 1:05:55 - ::

Shot Type: Subjective Scene

CandJ_S39

Céline performs on stage a magician act while Julie is in the audience. The first flashbacks from the mysterious house are intercut with Céline's performance. The Shot is tagged at 4 Place du Calvaire 75018 Paris.

Clip: 1::10 - ::

Shot Type: Subjective Scene

CandJ_S35

Julie comes out of the mysterious house.

Clip: :48:54 - ::

Shot Type: Objective Scene

CandJ_S32

Céline alone in Julie's apartment discovers a chest full of treasures. Shot tagged at 23 rue Chappe.

Clip: :41:40 - ::

Shot Type: Subjective Scene

CandJ_S31

Julie arrives at the 7 bis rue du Nadir aux Pommes to see the mysterious house. Shot tagged at 7 avenue de Brétigny, Garches

Clip: :40:57 - ::

Shot Type: Subjective Scene

CandJ_S38

Clip: :55:58 - ::

Shot Type: Subjective Scene

CandJ_S37

Shot Type: Subjective Scene

CandJ_S36UNIDLOC

Céline looks for Julie at her workplace, in the library. Unidentified location- shot tagged at Bibliothèque Jacqueline de Romilly, 16 avenue de la Porte Montmartre

Clip: :49:14 - ::

Shot Type: Subjective Scene

CandJ_S34

Clip: :47:37 - ::

Shot Type: Subjective Scene

CandJ_S33

Julie goes to visit the mysterious house. On screen it is shown to be 7 bis rue du Nadir des Pommes. The shot is tagged at 7 avenue de Brétigny, Garches (identified by http://www.thecinetourist.net/).

Clip: :43:05 - ::

Shot Type: Objective Scene

CandJ_S30

A long sequence takes place in Julie's apartment. Shot tagged at 22 Rue Chappe

Clip: :33:22 - ::

Shot Type: Subjective Scene

CandJ_S29

Julie returns to her home. She is shown walking on urue Gabrielle and descend the staircase of Rue Chappe. Shot is tagged at 23 Rue Chappe

Clip: :23:47 - ::

Shot Type: Subjective Scene

CandJ_S28

Julie returns to the Square Suzanne Buisson. The shot is tagged at 7bis rue Girardon.

Clip: :23:17 - ::

Shot Type: Subjective Shot

CandJ_S27_UNIDLOC

Julie works as a librarian. Unidentified location tagged at : Bibliothèque Jacqueline de Romilly, 16 avenue de la Porte Montmartre.

Clip: :20:20 - ::

Shot Type: Subjective Shot

CandJ_S13

Céline arrives at a street market in Place Saint-Pierre. Shot tagged at Square Louise Michel, 9 Place Saint-Pierre 75018 Paris

Clip: :7:22 - ::

Shot Type: Subjective Shot

CandJ_S26

Julie enters the Café de la Gare where she finds Céline. Shot tagged at 1 Rue Victor Hugo, Colombes.

Clip: :14:27 - ::

CandJ_S25

The next morning, Julie arrives at the Place de la Gare, Colombes

Clip: :13:35 - ::

Shot Type: Subjective Shot

CandJ_S24

Julie in the streets watching the hotel where Céline checked in. The shot is from Céline's POV.

Clip: :12:59 - ::

Shot Type: Subjective Shot

CandJ_S23

Céline looks out of her hotel window to see if Julie is in the street. Unidentified location tagged at Hotel Terminus Colombes (3 Avenue de l'Agent Sarre).

Clip: :13:18 - ::

Shot Type: Subjective Shot

CandJ_S22

Julie follows Céline who checks in a hotel. Shot tagged at Place de la Gare, Colombes Ile de France.

Clip: :11:24 - ::

Shot Type: Subjective Shot

CandJ_S21

Julie and Céline make a jump from Montmartre to Gare de Colombes, Paris.

Clip: :11:10 - ::

Shot Type: Subjective Shot

CandJ_S20

Unidentified location tagged at 4 rue Poublot. Céline seems to take a left turn when she comes out of the theater. But the next cut shows her walking on an unpaved street down the hill.

Clip: :10:53 - ::

Shot Type: Subjective Shot

CandJ_S19

Céline enters a small theater here for a brief moment. The sign on Place de Tertre points to L'Historial de Montmartre, a wax museum located at 11 impasse Traînée, today Rue Poublot. Shot tagged at 13 rue Poublot.

Clip: :10:14 - ::

Shot Type: Subjective Shot

CandJ_s18

Julie follows Céline who got off the Furniculaire in Montmartre. Shot tagged at 11 Rue Foyatier.

Clip: :9:58 - ::

Shot Type: Subjective Shot

CandJ_S17

Shot from Céline's point-of-view showing Julie running on the rue de Foyatier staircase

Clip: :9:39 - ::

Shot Type: Subjective Shot

CandJ_S16

Clip: :9:27 - ::

Shot Type: Subjective Shot

CandJ_S15

Céline gets in the Furniculaire.

Clip: :8:34 - ::

Shot Type: Subjective Shot

CandJ_S14

Julie follows Céline through a street market. Tagged at Square Louise Michel (6 Place Saint Pierre).

Clip: :8:19 - :8:19

Shot Type: Subjective Shot

CandJ_S12

Julie in front of the stand.

Clip: :7:7 - :7:7

Shot Type: Subjective Shot

CandJ_S11

Céline in front of a vendor stand. (tagged at 56 rue des Trois Frères)

Clip: :7:04 - :7:04

Shot Type: Subjective Shot

CandJ_S10

Céline and Julie on rue Androuet (tagged at 4 rue Androuet).

Clip: :6:54 - :6:54

Shot Type: Subjective Shot

CandJ_S9

Julie follows Céline but first stops to pick up the doll Céline left on the bench at the corner of rue des Saules and rue Saint-Vincent.

Clip: :6:43 - :6:43

Shot Type: Subjective Shot

CandJ_S8

Céline pauses at the corner of Rue Saint-Vincent and Rue des Saules.

Clip: :6:29 - ::

Shot Type: Subjective Shot

CandJ_S7

At the corner of Rue Saint-Vincent and Rue des Saules Céline stops to put on make up and leaves a doll on the bench for Julie to pick up.

Clip: :5:41 - :5:41

Shot Type: Subjective Shot

CandJ_S6

Julie chases Céline on Rue Saint-Vincent. Imaged tagged at 36 Rue Saint-Vincent.

Clip: :5:21 - :5:21

Shot Type: Subjective Shot

CandJ_S5

Julie follows Céline on rue de l'Abrevoir. Non-identified location tagged at 12 rue de l'Abrevoir. From Allée des Brouillards, Céline would have passed Place Dalida and arrived on rue de l'Abrevoir. The number 12 is visible on screen, but the building is changed.

Clip: :5:00 - :5:00

Shot Type: Subjective Shot

CandJ_S4_4min34s

Julie follows Céline on Allée des Brouillards

Clip: :4:34 - :4:34

Shot Type: Subjective Shot

CandJ_S3

Clip: :4:06 - :4:06

Shot Type: Subjective Shot

CandJ_S2

Julie's POV shot introduces Celine.

Clip: :3:12 - :3:12

Shot Type: Subjective Shot

CandJ_S1

Opening shot

Clip: :1:12 - :1:12

Shot Type: Objective Shot

TendrePoulet_S46

Lise and Antoine walk to another pharmacy in the Mouffetard neighborhood. Tagged at 9-13 rue du Marché des Patriarches.

Clip: 1:39:52 - ::

Shot Type: Objective Shot

TendrePoulet_S45

Lise cause another accident to rescue Antoine. Tagged at 2 Rue de l'Arbalète

Clip: 1:39:16 - ::

Shot Type: Objective Shot

TendrePoulet_S44

Lise drives by Place des Victoires

Clip: 1:38:19 - ::

Shot Type: Objective Shot

TendrePoulet_S43

Lise drives by Place du Palais Royal

Clip: 1:38:17 - ::

Shot Type: Objective Shot

TendrePoulet_S42

Lise drives by L'arc de triomphe du Caroussel

Clip: 1:38:10 - ::

Shot Type: Objective Shot

TendrePoulet_S41

Lise cannot wait anymore in Place André Malraux and leaves to find Antoine

Clip: 1:37:40 - ::

Shot Type: Objective Shot

TendrePoulet_S40

Passage souterrain tagged at 1 Avenue du Général Lemonnier 75001 Paris. The police car looses Antoine.

Clip: 1:33:16 - ::

Shot Type: Objective Shot

TendrePoulet_S39

Antoine is kidnapped by the murderer and a slow car chase follows, as he is not a good driver. Here the chase is at Place des Pyramides. Statue of Jeanne d'Arc.

Clip: 1:32:35 - ::

Shot Type: Objective Shot

TendrePoulet_S38

Lise crosses the railroad at Gare Saint-Cloud to go in the deserted factory. Located at 19 rue du Calvaire/8 rue Armeganaud (Saint-Cloud).

Clip: 1:27:18 - ::

Shot Type: Objective Shot

TendrePoulet_S37

Lise receives a letter from Antoine and leaves for Honfleur. Tagged at 155 Boulev. Périphérique (13e) Paris.

Clip: 1:13:20 - ::

Shot Type: Objective Shot

TendrePoulet_S36

Lise is at home all day, driving everybody crazy. Tagged at 135 rue de Verginaud

Clip: 1:13:20 - ::

Shot Type: Objective Shot

TendrePoulet_S35_UNIDLOC

Lise picks up her daughter at school. Tagged at Ecole Providence, 7 rue de la Providence (13e) as their residence is in the 13th.

Clip: 1:13:1 - ::

Shot Type: Objective Shot

TendrePoulet_S34

Lise quits her job when she finds out that her investigation has been assigned to Beretti

Clip: 1:12:30 - ::

Shot Type: Objective Shot

TendrePoulet_S33

Lise at the deserted factory in Saint-Cloud. Tagged at 19 rue du Calvaire, Saint-Cloud/ 8 Armengaud Street.

Clip: 1:10:46 - ::

Shot Type: Subjective Shot

TendrePoulet_S32

Lise at work. Tagged at 36 quai des Orfèvres.

Clip: 1:8:3 - ::

Shot Type: Objective Shot

TendrePoulet_S31

Lise interrogates Christine. Tagged at 20 Rue du Calvaire 92210 Saint-Cloud France

Clip: 1:5:29 - ::

Shot Type: Objective Shot

TendrePoulet_S30

Lise stops the train to talk to Antoine at Gare Saint-Lazare. In fact, the scene is shot in Gare d'Austerlitz.

Clip: :59:43 - ::

Shot Type: Objective Shot

TendrePoulet_S29

Chase through Jardin des Tuilleries.

Clip: :59:14 - ::

Shot Type: Objective Shot

TendrePoulet_S28

Lise hurries to catch Antoine at the train station. Tagged at Arc de Triomphe du Carrousel

Clip: :59:10 - ::

Shot Type: Objective Shot

TendrePoulet_S27

Lise arrives at Antoine's home to give him the letter. In the film, Antoine gives his address at : 23 rue de la montagne Sainte Geneviève 75005. But the scene was shot at 23 rue Henri Robert (1er, Ile de la Cité)

Clip: :58:15 - ::

Shot Type: Objective Shot

TendrePoulet_S26

Lise in the police car with the Notre Dame in the background. Tagged at :21 Quai de Montebello, 75005 Paris

Clip: :58:15 - ::

Shot Type: Objective Shot

TendrePoulet_S25

Lise goes to work. Tagged at 28 Quai des Orfèvres.

Clip: :56:15 - ::

Shot Type: Objective Shot

TendrePoulet_S24

Lise writes a letter to Antoine. We hear her voice through an interior monologue.

Clip: :55:45 - ::

Shot Type: Subjective Shot

TendrePoulet_S23

In the film the second deputy is said to be assassinated on rue de la Répbulique. In fact, he is assassinated Place de la Répbulique, in front of the Marie de Levallois-Perret

Clip: :23:52 - ::

Shot Type: Objective Shot

TendrePoulet_S22

Lise meets Antoine in Square René Viviani.

Clip: :49:06 - ::

Shot Type: Objective Shot

TendrePoulet_S21

Lise gets dropped off by the taxi on rue Saint-Julien-Le-PauvreTagged at 1 rue Saint-Julien-Le-Pauvre

Clip: :48:50 - ::

Shot Type: Objective Shot

TendrePoulet_S20

Lise asks to be dropped off at the Pont Neuf. In fact, she is dropped off at Pont du Change. Tagged at 1 Quai de la Corse. The Conciergerie is visible in the background

Clip: :48:38 - ::

Shot Type: Objective Shot

TendrePoulet_S19

Lise switches cars again to interrogate the deputy. Tagged at Quai des Tuileries. The fountain from the Place de la Concorde is visible in the background in shallow focus..

Clip: :47:54 - ::

Shot Type: Objective Shot

TendrePoulet_S18

Lise switches cars again to interrogate Christine. Tagged in front of La Mascotte, 6 Avenue du Président Wilson. (8e)

Clip: :47:22 - ::

Shot Type: Objective Shot

TendrePoulet_S17

Lise finishes interrogating Christine and switches cars to interrogate the deputy. Tagged at 1 Place du Trocadéro.

Clip: :40:46 - ::

Shot Type: Objective Shot

TendrePoulet_S16_UNIDLOC

Lise is on her way to the Quai d'Orsay, bringing in the deputy Alexandre Mignonac and his lover Christine Vallier. Shot tagged in Bois de Boulogne (Allée des Fortifications) for geographic continuity.

Clip: :46:13 - ::

Shot Type: Objective Shot

TendrePoulet_S15

Lise and her crew arrive at Saint-Cloud where Alexandre Mignonac has been spotted by a hairdresser. Tagged at 19 Rue du Calvaire 92210 Saint-Cloud France.

Clip: :41:59 - ::

Shot Type: Objective Shot

TendrePoulet_S14

Anne arrives at 28 Quai des Orfèvres, the Parisian headquarter of the judicial police

Clip: :36:50 - ::

Shot Type: Objective Shot

TendrePoulet_S13

Lise drops off Antoine close to the Sorbonne, on rue Saint-Julien-LePauvre. The Church Saint-Severin is visible in the background. Antoine will not let the car go until he manages to get a rendez-vous with Lise.

Clip: :35:14 - ::

Shot Type: Objective Shot

TendrePoulet_S12

The first subjective shot of the film showing Lise's perspective, during the drive on the sidewalk.

Clip: :35:15 - ::

Shot Type: Subjective Shot

TendrePoulet_S11

The police car (with Antoine) is stuck in traffic due to an accident on Rue de Vulpin (tagged at 1 rue de Vulpin).

Clip: :35:03 - ::

Shot Type: Objective Shot

TendrePoulet_S10_UNIDLOC

Lise arrives home early in the morning only for 20 minutes. She spends the morning with her daughter before Antoine arrives to get his glasses.

Clip: :27:27 - ::

Shot Type: Objective Shot

TendrePoulet_S9

Car chase and accident in front of the Eiffel Tower (1 Place du Trocadéro et du 11 Novembre 75116 Paris)

Clip: :26:52 - ::

Shot Type: Objective Shot

TendrePoulet_S8

Lise confronts the murder suspect after spending the night outside his apartment. 5 Avenue Velasquez, 75008 Paris, France

Clip: :25:31 - ::

Shot Type: Objective Shot

TendrePoulet_S7

Lise arrives at the crime scene (Salle Wagram 39 Avenue de Wagram, 75017)

Clip: :18:29 - ::

Shot Type: Objective Shot

TendrePoulet_S6

Lise and Antoine go to dinner to a restaurant. Gallopin, 40 rue Notre Dame des Victoires, 752002 PARIS Geographic discontinuity: since Lise and Antoine walk to the dinner and arrive there instantly from La Cour Saint-Germain.

Clip: :15:30 - ::

Shot Type: Objective Shot

TendrePoulet_S5

Lise goes to Antoine's concert that takes place in La Cour Saint-Germain. The church Saint-Germain l'Auxerrois is visible in the background. Earlier during the day Lise picked up the birthday cake here in the opening scene.

Clip: :14:7 - ::

Shot Type: Objective Shot

TendrePoulet_S4_UNIDLOC

Lise arrives home for the birthday of her daughter. Unidentified location - tagged at 135 Rue Verginaux (geographic continuity).

Clip: :8:33 - ::

Shot Type: Objective Shot

TendrePoulet_S3

Lise offers to drive Antoine to the to the Sorbonne, where he teaches. They arrive at the Sorbonne.

Clip: :4:40 - ::

Shot Type: Objective Shot

TendrePoulet_S2

15 rue de Poitou (intersection rue de Poitou and Rue Debelleyme) and Pharmacie Bourgignon. Lise has a minor collision with the distracted Professor Antoine Lemercier (Philippe Noiret) because he drove his bike through a red light.

Clip: :2:51 - ::

Shot Type: Objective Shot

TendrePoulet_S1

Lise Tanquerelle (Annie Girardot) picks up a birthday cake for her daughter at a bakery in Place du Louvre and takes off in her car. The Eglise Saint-Germain L'Auxerois is visible, the Louvre et the Rue de Rivoli.

Clip: :1:13 - ::

Shot Type: Objective Shot

Brigitte_S51

Brigitte's point of view: from the classroom she looks as her lover kisses the other Brigitte. In voice-off we hear: "Brigitte et Brigitte c'est fini" The second POV shot in the film.

Clip: 1:11:57 - ::

Shot Type: Objective Shot;Subjective Shot

Brigitte_S50

Brigitte goes to church. Unidentified location tagged at Fac. Nanterre

Clip: 1:09:23 - ::

Shot Type: Objective Shot

Brigitte_S49

Interior home

Clip: 1:08:54 - ::

Shot Type: Objective Shot

Brigitte_S48

Examination at the Faculté de Nanterre

Clip: 1:7:27 - ::

Shot Type: Objective Shot

Brigitte_S47

Brigitte and Brigitte talk to the worker who knows their phonetics course.

Clip: 1:1:32 - ::

Shot Type: Objective Shot

Brigitte_S46

Bird's eye view of the Seine . Pin at 94200 Ivry-sur-Seine (unidentified location, geographic continuity)

France

Clip: :43:11 - ::

Shot Type: Objective Shot

Brigitte_S45

Clip: :42:44 - ::

Shot Type: Subjective Shot

Brigitte_S44

Clip: :42:29 - ::

Shot Type: Objective Shot

Brigitte_S43

Brigitte votes at Lycée Louis Le grand (10 rue Clovis)

Clip: :41:35 - ::

Shot Type: Objective Shot

Brigitte_S42

Brigitte and her cinéphile lover at her home. Tagged at 12 rue de la Sorbonne

Clip: :38:35 - ::

Shot Type: Objective Shot

Brigitte_S41

Brigitte and Brigitte present their cinema survey.

Shot Type: Objective Shot

Brigitte_S40

Brigitte and Brigitte work and read de Beauvoir's La force de l'âge

Clip: :36:23 - ::

Shot Type: Objective Shot

Brigitte_S39

Brigitte and the type du 16e go to the movie again. Not a single member in the audience watches what happens on screen.

Clip: :33:03 - ::

Shot Type: Objective Shot

Brigitte_S38

Brigitte and Brigitte work on their movie survey.

Clip: :33:09 - ::

Shot Type: Subjective Shot

Brigitte_S37

Brigitte conducts interviews. tagged at 10 rue des Ursulines. Unidentified location.

Clip: :28:36 - ::

Shot Type: Objective Shot

Brigitte_S35

Brigitte goes to the movies with the "type du 16e". Unidentified location, tagged at Studio des Ursulines (10 rue des Ursulines)

Shot Type: Objective Shot

Brigitte_S34

Brigitte meets a "type du 16e" after the Leftist Brigitte refuses to meet him. In the film the location is mentioned as Restaurant Universitaire, but it is shot in the same interior that serves as Brigitte's home. In the next shot, the other Brigitte will interview Samuel Fueller there as well.

Clip: :26:35 - :28:17

Shot Type: Objective Shot

Brigitte_S33

Interior. Brigitte's home. Unidentified location pinned at 12 rue de la Sorbonne

Clip: :25:03 - ::

Shot Type: Objective Shot

Brigitte_S32

Brigitte and her lover kiss (three shots) shot in the same location: 13 Rue Berbier du Mets (which appears also later in the film

Clip: :25:15 - ::

Shot Type: Objective Shot

Brigitte_S31

Brigitte and Brigitte go to a student bal. (unidentified location pin at 46 Bd. Saint Michel)

Clip: :21:29 - ::

Shot Type: Objective Shot

Brigitte_S30

La Chope (Tagged at 53 rue des Martyrs, based on image).2

Clip: :21:18 - ::

Shot Type: Objective Shot

Brigitte_S29

Brigitte and Brigitte at the market. Unidentified ? pin at Les Halles/St. Eustache (image) pin at 140 Rue Rambuteau.

Clip: :29:38 - ::

Shot Type: Objective Shot

Brigitte_S28

Bouquinistes (image and geographic continuity) pin at 3 quai des Grands Augustins

Clip: :20:01 - ::

Shot Type: Objective Shot

Brigitte_S27

Clip: :19:40 - ::

Shot Type: Objective Shot

Brigitte_S26

Clip: :18:37 - ::

Shot Type: Objective Shot

Brigitte_S25

Clip: :18:24 - ::

Shot Type: Objective Shot

Brigitte_S24

Clip: :17:53 - ::

Shot Type: Objective Shot

Brigitte_S23

Clip: :17:41 - ::

Shot Type: Objective Shot

Brigitte_S22

Brigitte and Brigitte visit the Eiffel Tower

Clip: :22:17 - ::

Shot Type: Objective Shot

Brigitte_S21

Brigitte and Brigitte visit Paris. First stop Les Grands Boulevards. (pin at 16 Boulevard Poissonière). Themetro stop Montmartre is nowadays Grand Boulevards.

Clip: :21:17 - ::

Shot Type: Objective Shot

Brigitte_S20

Interior classroom (tagged at Faculté des Lettres, Sorbonne)

Clip: :15:09 - ::

Shot Type: Objective Shot

Brigitte_S19

Interior home. Unidentified location (pin at 12 Rue de la Sorbonne)

Clip: :11:33 - :11:33

Shot Type: Objective Shot

Brigitte_S18

Brigitte at the Sorbonne (Fac des Lettres)19 rue de la Sorboone (unidentified)

Clip: :10:58 - :10:58

Shot Type: Objective Shot

Brigitte_S17

Brigitte goes to l'Institut de Géographie, where there is a strike. (pin at 191 Rue Saint-Jacques, 75005 Paris)

Clip: :10:39 - ::

Shot Type: Objective Shot

Brigitte_S16

Side view of the Panthéon (pin at 1 rue d'Ulm)

Clip: :10:39 - :10:39

Shot Type: Objective Shot

Brigitte_S15

Brigitte and Brigitte find a room. Unidentified location : tagged at 12 Rue de la Sorbonne (Quartier Latin)

Clip: :10:27 - :10:28

Shot Type: Objective Shot

Brigitte_S14

Newsstand (pinned at 47 Bd. Saint Michel) unidentified location

Clip: :8:44 - :8:44

Shot Type: Objective Shot

Brigitte_S13

Faculté Nanterre

Clip: :9:23 - :9:23

Shot Type: Objective Shot

Brigitte_S12

Three unidentified shots of doors with signs (Chambre à louer) visited by the two Brigittes

Clip: :08:09 - :08:28

Shot Type: Objective Shot

Brigitte_S11

Interior Restaurant (Generic) - Tagged at 48 Bd. St. Michel

Clip: :6:54 - :6:54

Shot Type: Objective Shot

Brigitte_S10

Boulevard St. Michel (tagged at Boulevard St. Michel 48)- geographic continuity and street

Clip: :6:41 - :6:42

Shot Type: Objective Shot

Brigitte_S9

Interior scene, pinned at the Sorbonne. Generic room used to exemplify university bureaucracy (housing, dining services).

Clip: :6:10 - :6:10

Shot Type: Objective Shot

Brigitte_S8

Brigitte and Brigitte meet at the Sorbonne.

Clip: :5:52 - :5:52

Shot Type: Objective Shot

Brigitte_S7

Brigitte goes in and goes out of a metro station (Maubert Mutualité) 47 Boulevard Saint Germain (based on metro entrance and geographic continuity)

Clip: :5:29 - :5:29

Shot Type: Objective Shot

Brigitte_S6_UILOC

Unidentified Location, tagged on Rue Barrault, Butte aux Cailles

Clip: :4:36 - :4:36

Shot Type: Objective Shot

Brigitte_S5_UILOC

Unitentified Location. Tagged on rue Barrault, La Butte aux Cailles.

Clip: :4:36 - :4:36

Shot Type: Objective Shot

Brigitte_S4

Brigitte and Brigitte look for the metro outside Gare Austerlitz

Clip: :4:17 - :4:17

Shot Type: Objective Shot

Brigitte_S3

Interior shot at Gare Austerlitz where Brigitte and Brigitte are introduced.

Clip: :1:23 - :1:23

Shot Type: Objective Shot

Brigitte_S2

Clip: :00:26 - :00:26

Shot Type: Objective Shot

Brigitte_S1

Clip: :00:00 - :00:01

Shot Type: Objective Shot

Chamade_S68_UNIDLOC

Lucile walks away from Antoine's building. Last shot of the film, unidentified location, tagged at 16 Rue du vieux Colombier, Paris

Clip: 1:42:23 - ::

Shot Type: Subjective Scene

Chamade_S67_UNIDLOC

Lucile calls Antoine to tell her that she is leaving him from the café Le Mémorial

Shot Type: Subjective Scene

Chamade_S66_UNIDLOC

Lucille says good-bye to Antoine.

Clip: 1:39:17 - ::

Shot Type: Subjective Scene

Chamade_S65_UNIDLOC

Lucile returns to say good-by to Antoine.

Clip: 1:37:54 - ::

Shot Type: Subjective Scene

Chamade_S64

Charles asks Lucile to stay with him

Clip: 1:37:45 - ::

Shot Type: Objective Scene

Chamade_S63

Lucile returns with Charles at his home.

Clip: 1:34:56 - ::

Shot Type: Subjective Scene

Chamade_S62

Lucile rides back home with Charles on Rue de Rivoli. Tagged at 176 Rue de Rivoli 75001 Paris

Clip: 1:34:50 - ::

Shot Type: Subjective Scene

Chamade_S61

Lucile goes to a Mozart concert with Charles. In the film, the concert is mentioned to be at La Molle. Unidentified location, tagged at Orchestre Colonne, 2 Rue Edouard Colonne 75001 Paris

France

Clip: 1:31:51 - ::

Shot Type: Subjective Scene

Chamade_S60_UNIDLOC

Lucile goes to see a Bergman film. Unidentified location, tagged at the Studio des Ursulines, 10 rue des URsulines.

Clip: 1:31:29 - ::

Shot Type: Subjective Scene

Chamade_S59

Antoine and Lucile at home.

Clip: 1:30:04 - ::

Shot Type: Subjective Scene

Chamade_S58_UNIDLOC

Lucile devours a lobster, while having dinner with Charles. Shot tagged at Le Dôme.

Clip: 1:28:55 - ::

Shot Type: Subjective Scene

Chamade_S57

Lucile and Antoine in Closerie des Lilas. Lucile meets an old friend there as well. Shot tagged at 171 Boulevard du Montparnasse, 75006 Paris

Clip: 1:24:29 - ::

Shot Type: Subjective Scene

Chamade_S56_UNIDLOC

Lucile and Antoine have a fight regarding the abortion as their estrangement begins.

Clip: 1:23:05 - ::

Shot Type: Objective Scene

Chamade_S55

Lucile and Antoine discuss the abortion in the Café Mémorial

Clip: 1:21:51 - ::

Shot Type: Objective Scene

Chamade_S54

Lucille returns home to ask Charles for money for an abortion.

Clip: 1:20:16 - ::

Shot Type: Subjective Scene

Chamade_S53_UNIDLOC

Lucile meets Charles's driver in a café. Unidentified location tagged at 24 rue Saint-Benoît.

Clip: 1:18:30 - ::

Shot Type: Objective Scene

Chamade_S52

Lucile and Antoine, expecting a child, visit a new complex of HLMs planning to move in one apartment there together.

Clip: 1:17:36 - ::

Shot Type: Subjective Scene

Chamade_S51_UNIDLOC

Lucile realizes she is pregnant. Unidentified location, tagged at 16 Rue du vieux Colombier, Paris.

Clip: 1:17:05 - ::

Shot Type: Subjective Scene

Chamade-S50_UNIDLOC

Antoine slaps Lucile after finding out that she lied about work. Unidentified location, shot tagged at 16 rue du Vieux Colombier, Paris.

Clip: 1:13:48 - ::

Shot Type: Objective Scene

Chamade_S49-UNIDLOC

Lucile at the horse race. Unidentified location, tagged at Hyppodrome de Longchamp, 2 Route des Tribunes, 75016 Paris, France.

Clip: 1:12:42 - ::

Shot Type: Subjective Scene

Chamade_S48-UNIDLOC

Lucile meets Antoine in a restaurant, with gifts to celebrate her alleged work promotion. Unidentified interior, shot tagged at 10-12 rue du Vieux Colombier.

Clip: 1:12:27 - ::

Shot Type: Objective Scene

Chamade_S47

Lucile takes a stroll with the American in Place Vendôme, after she refuses to have lunch with him.

Clip: 1:11:22 - ::

Shot Type: Subjective Scene

Chamade_S46

Lucile meets an American while she tries to sell her expensive necklace at the high-end jeweler Chaumet, located at 12 Place Vendôme

Clip: 1:10:57 - ::

Shot Type: Subjective Scene

Chamade_S45

Lucile walks to Chaumet, a high-end jeweller, located at 12 Place Vendôme, Paris

Clip: 1:09:33 - ::

Shot Type: Subjective Scene

Chamade-S44_UNIDLOC

After pretending to go to work, Lucile returns home and gets into bed. Unidentified location, shot tagged at 16 rue du vieux Colombier

Clip: 1:09:29 - ::

Shot Type: Subjective Scene

Chamade_S42

Lucile takes the bus pretending to go to work.

Clip: 1:08:26 - ::

Shot Type: Subjective Scene

Chamade_S42

Antoine and Lucile at home. Lucile lies about a promotion at work when, in fact, she quit her job. Unidentified location, shot tagged at 16 Rue du vieux Colombier

Clip: 1:08:05 - ::

Shot Type: Objective Scene

Chamade_S41-UNIDLOC

Celine reads Faulkner in the Café Le Mémorial. Unidentified location, tagged at 14 rue du vieux Colombier.

Clip: 1:6:22 - ::

Shot Type: Subjective Scene

Chamade_S40_UNIDLOC

Lucile leaves work after reading Faulkner to go see Gay Paris. Unidentified location, tagged at 170 Boulevard Saint-Germain, Paris.

Clip: 1:16:18 - ::

Shot Type: Subjective Scene

Chamade_S39-UNIDLOC

Lucile taking a break from work. Unidentified location, tagged at 170 Boulevard Saint-Germain, Paris.

Clip: 1:05:27 - ::

Shot Type: Subjective Scene

Chamade_S38_UNIDLOC

Lucille at her workplace in the archives of the Maison d'Edition Delage. Unidentified location tagged at 170 Boulevard Saint-Germain, Paris. (Lucile mentions in the film that Hotel Crystal is closed to their workplace).

Clip: 1:4:59 - ::

Shot Type: Objective Scene

Chamade_S37_UNIDLOC

Lucile returns home after work. Unidentified location, shot tagged at 16 Rue du vieux Colombier.

Clip: 1::20 - ::

Shot Type: Objective Scene

Chamade_S36_UNIDLOC

Lucille at her new workplace in the archives of the Maison d'Edition Delage. Unidentified location. Lucile mentions that the workplace is located close to Crystal Hotel. Shot tagged at 170 Boulevard Saint-Germain, Paris..

Clip: 1:2:23 - ::

Shot Type: Objective Scene

Chamade_S35_UNIDLOC

Antoine and Lucile in the Café Le Mémorial. Unidentified location, tagged at 16 rue du Vieux Colombier, Paris.

Clip: 1:01:1 - ::

Shot Type: Objective Scene

Chamade_S34

Lucile and Antoine. Unidentified location, tagged at 16 rue du vieux Colombier, Paris.

Clip: :59:54 - ::

Shot Type: Subjective Scene

Chamade_S33_UNIDLOC

Lucile attempts to take the bus on a rainy day. Unidentified location, tagged at 16 rue du vieux Colombier, Paris.

Clip: :58:42 - ::

Shot Type: Subjective Scene

Chamade_S32_UNIDLOC

The end of the honeymoon. Antoine and Lucile in Antoine's apartment. Unidentified location, tagged at 16 rue du vieux Colombier.

Clip: :57:09 - ::

Shot Type: Subjective Scene

Chamade_S31_UNIDLOC

Antoine and Lucile at Antoine's place during their honeymoon. Unidentified location, tagged at 16 rue du Vieux Colombier, Paris.

Clip: :57:01 - ::

Chamade_S30

Lucile and Antoine strolling in the rain in Le Jardin de Luxembourg.

Clip: :56:55 - ::

Shot Type: Subjective Scene

Chamade_S29UNIDLOC

Antoine and Lucile at Antoine's place. Unidentified location tagged at 16 rue du vieux Colombier, Paris.

Clip: :56:42 - ::

Shot Type: Subjective Scene

Chamade_S28UNIDLOC

Lucile and Antoine on a boat on the Seine. Unidentified shot, tagged under Le Pont du Carrousel

Clip: :56:36 - ::

Shot Type: Subjective Scene

Chamade_S27

Antoine and Lucile in their honeymoon at the top of the column in Place Vendôme.

Clip: :56:17 - ::

Shot Type: Subjective Scene

Chamade_S26_UNIDLOC

Lucile and Antoine at Antoine's place (Unidentified location, tagged at 16 Rue du vieux Colombier)

Clip: :55:29 - ::

Shot Type: Objective Scene

Chamade_S25

Lucile leaves with Antoine. Shot from Charles POV

Clip: :55:01 - ::

Shot Type: Objective Scene

Chamade_S24

The next morning Lucile and Charles discuss her departure

Clip: :52:49 - ::

Shot Type: Subjective Scene

Chamade_S23

Charles confronts Lucile.

Clip: :39:57 - ::

Shot Type: Objective Scene

Chamade_S22_UNIDLOC

Antoine confronts Lucile in front of her husband and friends. Unidentified shot tagged at 158 Rue de Rivoli.

Clip: :39:09 - ::

Shot Type: Subjective Scene

Chamade_S21

Lucile returns to Charles's home after failing to tell him about Antoine.

Shot Type: Subjective Scene

Chamade_S20

Lucile harassed by a dragueur in the Orly Airport

Clip: :33:42 - ::

Shot Type: Subjective Scene

Chamade_S20

Lucile at the Orly Airport waiting for Charles

Clip: :32:31 - ::

Shot Type: Subjective Scene

Chamade_S18

Lucile back to Antoine's place.

Clip: :30:42 - ::

Chamade_S17

Clip: :29:11 - ::

Shot Type: Subjective Scene

Chamade_S16UNIDLOC

Antoine finds Lucile waiting for him in his apartment

Clip: :27:26 - ::

Shot Type: Subjective Scene

Chamade_S15_UNIDLOC

Lucile the café Le Mémorial downstairs from Antoine's apartment. (unidentified location, tagged at 14 rue du Vieux Colombie)

Clip: :26:08 - ::

Shot Type: Objective Scene

Chamade_S14UNIDLOC

Lucile drives home with Charles. Unidentified location, tagged at 83 Avenue de la Grande Armée.

Clip: :23:44 - ::

Shot Type: Subjective Scene

Chamade_S13UNIDLOC

Party at Claire's house--Antoine's girlfriend.

Clip: :20:54 - ::

Shot Type: Objective Scene

Chamade_S12_UNIDELOC

Interior scene in which Lucile goes into Antoine one-room apartment. Shot tagged at 16 rue du Vieux Colombier

Clip: :15:36 - ::

Shot Type: Subjective Scene

Chamade_S11_UNIDLOC

Lucile walks to Antoine's place. Unidentified location tagged at 16 rue du Vieux Colombier. The house number is 19 and there is a church in the vicinity (church bell's are heard). Bus 39 Porte de Versailles is running on the street.

Clip: :14:17 - ::

Shot Type: Subjective Scene

Chamade_S10

The next morning, Charles confronts Lucile about her attraction to Antoine.

Clip: :12:39 - ::

Shot Type: Objective Scene

Chamade_S9_UNIDLOC

Lucile drives with Antoine to meet their friends at Le Cheval Noir in Versailles. They stop in a forest on their way there. Unidentified shot tagged at Route de la Patte d'Oie, Meudon (Forêt de Meudon)

Clip: :11:26 - ::

Shot Type: Subjective Scene

Chamade_S8

Charles, Lucile, and their friends come out of the Théâtre de l'Atelier. Shot tagged at 1 Place Charles Dullin, 75018 Paris, France.

Clip: :9:38 - ::

Shot Type: Objective Scene

Chamade_S7

Lucile in front of the Café du Théâtre. Shot tagged at 45 rue d'Orsel, Paris, France.

Clip: :8:06 - ::

Shot Type: Subjective Scene

Chamade_S6

Lucile and Charles meet at a Golf Course. In the credits Paryland Club -- Parly II is mentioned. Tagged at Golf Tennis Haras, Boulevard de Jardy 92430 Marnes-la-Coquette

Clip: :4:10 - ::

Shot Type: Objective Scene

Chamade_S5

Lucile drives with the Alexander III Bridge in the background.

Clip: :2:53 - ::

Shot Type: Subjective Scene

Chamade_S4

Lucile wakes up to the spring breeze of the city. Image tagged at 15 Avenue Claude Debussy, 92110 Clichy, France

Clip: :1:18 - ::

Shot Type: Objective Scene

Chamade_S3

Pan on the house where Lucile and Charles live. Later in the film Lucile writes a letter to Charles at this address.

Clip: ::40 - ::

Shot Type: Objective Scene

Chamade 2

Second shot of the credits

Clip: ::22 - ::

Shot Type: Objective Scene

Chamade_S1

Opening shot on rue de Rivoli.

Clip: ::17 - ::

Shot Type: Objective Scene

My Life To Live S28

Nana's death Restaurant des Studios Tagged at 17 rue Esquirol

Clip: 1:23:10 - ::

Shot Type: Objective Shot

My Life To Live S27

Enfer et ses fils Tagged at 10 rue de Rambouillet

Clip: 1:23:10 - ::

Shot Type: Subjective Shot

My Life To Live S26

Movie theater playing Jules et Jim Unidentified location Tagged at : 11-17 Avenue de l'Opéra (source Lack) POV shot (tracking shot from the car)

Clip: 1:20:16 - ::

Shot Type: Subjective Shot

My Life To Live S25

Tracking shot (POV shot) from the car. Tagged at : Quai des Tuileries, 75001 Paris, France

Clip: 1:19:49 - ::

Shot Type: Subjective Shot

My Life To Live S24

Raoul and Nana (inner courtyard) Tagged at 8 rue Verneuil

Clip: 1:19:14 - ::

Shot Type: Objective Shot

My Life to Live S23

Interior, Nana's place.

Clip: 1:18:43 - ::

Shot Type: Objective Shot

My Life To Live S22

Nana with Briche Parain at Café Zimmer Tagged at 1 Place du Châtelet

Clip: 1:04:41 - ::

Shot Type: Objective Shot

My Life To Live S20

Hôtel Eiffel-Seine, 3 boulevard de Grenelle, 15e

Clip: 1:03:03 - ::

Shot Type: Subjective Shot

My Life To Live S19

Nana on Boulevard de Grenelle Tagged at 5 boulevard de Grenelle)

Clip: :57:38 - :58:43

Shot Type: Subjective Shot

My Life To Live S21

Clip: :57:38 - :58:43

Shot Type: Subjective Shot

My Life To Live S18

Unidentified location Café (subjective and objective shots) Tagged at 139 Boulevard de Grenelle.

Clip: :50:37 - ::

Shot Type: Subjective Shot

My Life To Live S17

Clip: :48:19 - ::

Shot Type: Objective Shot

My Life To Live S16

Interior Hotel Eiffel Seine (5 Boulevard de Grenelle), 15e

Clip: :47:17 - ::

Shot Type: Objective Shot

My Life To Live S15

Unidentified location. Tracking shot from a car. Nana and Raoul. Question and answers about prostitution. Tagged at 111 Champs-Elysées

Clip: :46:22 - ::

Shot Type: Subjective Shot

My Life To Live S14

Champs-Elysées by night Tagged at 117 Champs-Elysées

Clip: :46:00 - ::

Shot Type: Subjective Shot

My Life To Live S13

Unidentified café, Interior Tagged at 133 Champs-Elysées

Clip: :43:37 - ::

Shot Type: Objective Shot

My Life To Live S12

Café rue au Pain, Versailles, Tagged at 12 rue au Pain (unidentified location)

Clip: :32:00 - :35:05

Shot Type: Subjective Shot

My Life To Live S11

rue au Pain, Versailles (tagged at 18 rue au Pain) Subjective shot (music and spatial practice)

Clip: :28:56 - ::

Shot Type: Subjective Shot

My Life To Live S10

Interior, Hotel Tagged at 10 bis rue du Débarcadère, 17e Combination of objective shots an subjective (POV ) shots.

Clip: :26:13 - ::

Shot Type: Subjective Shot

My Life To Live S9

Clip: :23:59 - :25:07

Shot Type: Subjective Shot

My Life To Live S8

Nanais questioned at the police station. Interior of Pierre Braunberger's production office. Unknown location, tagged at Cinéma du Pantheon 13 rue Victor cousins

Clip: :21:11 - ::

Shot Type: Objective Shot

My Life to Live S7

L'Escholier, Tagged at 5 Place de la Sorbonne, 75005 Paris, France

Clip: :17:45 - ::

Shot Type: Objective Shot

My Life to Live S7

Interior Panthéon. Tagged at 13 rue Victor Cousin, 5e. Identified by Roland François Lack at : http://www.thecinetourist.net/the-place-of-cinema-cinema-as-location-in-vivre-sa-vie.html combination of objective and subjective cross-cutting between Nana's face and the screened film Carl Theodor Dreyer's Jeanne d'Arc (1928)

Clip: :15:03 - ::

Shot Type: Subjective Shot

My Life to Live S6

Tabac Saint Germain Tagged at 54 Boulevard de Saint Germain Unidentified location. Raoul tells Nana later in the film he saw her in front of a Tabac, Boulevard Saint-Germain. He passes by and notices her in the scene.

Clip: :13:08 - :14:44

Shot Type: Objective Shot

My Life to Live S5

Nana's home /Inner courtyard Tagged at 8 rue Verneuil

Clip: :3:37 - ::

Shot Type: Objective Shot

My Life to Live S4

Record Shop Tagged at 25 Avenue du Wagram

Shot Type: Subjective Shot

My Life to Live S3

Record Shop 25 Avenue du Wagram

Clip: :9:49 - ::

Shot Type: Objective Shot

My Life to Live S2

Arc du Triomphe (?)

Clip: :9:45 - ::

Shot Type: Objective Shot

My Life to Live S1

Café Rallyse Villiers Tagged at 3 Place de la Libération, 92300 Levallois-Perret, France

Clip: :3:21 - ::

Shot Type: Objective Shot

Saint Germain 26

Inner courtyard, Académie Julian, 31 rue du Dragon

Clip: :17:39 - ::

Shot Type: Objective Shot

Saint Germain S25

Interior, 13 rue de Seine

Clip: :14:30 - ::

Shot Type: Objective Shot

Saint Germain S24

Tagged at 27 rue du Dragon (outside of Académie Julain, 31 rue du Dragon)

Clip: :12:40 - :13:19

Shot Type: Objective Shot

Saint Germain S23

Academie Julian

Clip: :11:26 - :12:00

Shot Type: Objective Shot

Saint Germain S22

Rue de Seine

Clip: :10:32 - :10:32

Shot Type: Objective Shot

Saint Germain 21

13 rue de Seine, Interior, view of the dome (Institut de France)

Clip: ::02 - ::02

Shot Type: Objective Shot

Saint Germain S20

Apartment where Catherine and Jean spend the night, 13 rue de Seine with a view on the Dome of L'Institut de France.

Clip: :02:52 - :02:52

Shot Type: Objective Shot

Saint Germain S19

Rue de Seine and Rue des Beaux Arts Tagged at 6 rue de Seine Tracking shot

Clip: :02:40 - :02:40

Shot Type: Objective Shot

Saint Germain S18

Rue de Seine and Rue Visconti. Jean Racine used to live at 24 Rue Visconti. Tagged at 24 rue de Seine, tracking shot

Clip: :02:35 - :02:35

Saint Germain S17

Clip: :02:17 - :02:17

Shot Type: Objective Shot

Saint Germain S16

Tracking shot tagged at 1 rue de l'Abbaye

Clip: :02:08 - :02:08

Shot Type: Objective Shot

Saint Germain S15

Place Eugène Delacroix

Clip: :2:02 - :2:02

Shot Type: Objective Shot

Saint Germain S14

Statue of Guillaume Apollinaire by Picasso in the courtyard of the Abbey de Saint-Germain-des-Prés.

Clip: :01:52 - :01:52

Saint Germain S13

Clip: :01:42 - :01:42

Shot Type: Objective Shot

Saint Germain S12

Rue Saint Benoit and Boulevard Saint Germain tracking shot : beginning with a turn showing La Hune (bookstore) and Le Bibloquet (famous jazz club) Tagged at Bilboquet. 13, Rue Saint-Benoît 75006

Clip: :1:35 - :1:35

Shot Type: Objective Shot

Saint Germain S11

Café de Flore. 172 Boulevard Saint-Germain

Clip: :1:12 - :1:12

Shot Type: Objective Shot

Saint Germain S10

Boulevard Saint-Germain-des-Prés Tracking Shot (after a turn on Rue du Dragon)

Clip: :01:06 - :01:06

Shot Type: Objective Shot

Saint Germain S9

Academie Julian, 31 Rue du Dragon

Clip: 00:00:59 - 00:00:59

Shot Type: Objective Shot

Saint Germain S8

Crossing Rue du Dragon and Rue de Grenelle Tagged at 37 Rue du Dragon.

Clip: 00:00:52 - 00:00:52

Shot Type: Objective Shot

Saint Germain S7

Art Gallery (Barbizon?) Unknown location, tagged at 67 Rue des Saints-Pères (geographic continuity)

Clip: :00:44 - :00:44

Shot Type: Objective Shot

Saint Germain S6

Hôtel Pas de Calais 59 Rue des Saints-Pères,

Clip: :00:43 - :00:43

Shot Type: Objective Shot

Saint Germain S5

Institut d'Etudes Politiques

Clip: :00:34 - ::

Shot Type: Objective Shot

Saint Germain S4

Tagged at : 6 Place Saint-Germain des Prés

Clip: :00:28 - ::

Shot Type: Objective Shot

Saint Germain_S3

Ecole des Beaux Arts National School of Fine Arts, Paris

Clip: :00:22 - ::

Shot Type: Objective Shot

Saint Germain S2

L'Institut de France (view from Le Pont des Arts)

Clip: :00:19 - ::

Shot Type: Objective Shot

Saint Germain S1

Saint-Germain-des-Prés Church.

Clip: :00:08 - ::

Shot Type: Objective Shot

Elevator S21 (FICTIVE LOC)

Motel, fictive location on Autoroute de l'Ouest. the shot motel is in Normandy

Clip: 1:27:38 - ::

Shot Type: Objective Shot

Elevator S20

Florence in front of the chambre de bonne on, 57 Boulevard de Grenelle (15e)

Clip: 1:26:23 - ::

Shot Type: Objective Shot

Elevator S19

Florence in the flower shop in front of the Carala building, 168 Boulevard Haussmann

Clip: 1:20:23 - ::

Shot Type: Objective Shot

Elevator S18

Florence in the Carala building (29 Rue de Courcelles)

Clip: 1:20:05 - ::

Shot Type: Objective Shot

Elevator S17 (UNIDLOC)

Florence at the police station. (Unidentified location - police station on 31 Rue Anjou).

Clip: :57:33 - ::

Elevator S16

Chambre de bonne (59 Boulevard de Grenelle)

Clip: :53:15 - ::

Shot Type: Objective Shot

Elevator S15

Stolen abandoned by the young couple under the Bir-harkeim bridge.

Clip: :52:50 - ::

Shot Type: Objective Shot

Elevator S14

Avenue des Champs-Elysées Tagged at 25 Avenue des Champs-Elysées

Clip: :45:36 - :48:35

Shot Type: Objective Shot

Elevator S13

Shot on Les Champs-Elysés ( precise location unidentified ) Tagged at 44 Avenue des Champs-Elysées

Clip: :39:15 - :39:46

Shot Type: Subjective Shot

Elevator S12 (FICTIVE LOC)

Motel location (on l'autoroute du Nord) - fictive location The shot motel is in Normandy

Clip: :30:21 - ::

Shot Type: Objective Shot

Elevator S11

Tracking shot showing Florence on Champs-Elysées at night. Tagged at 50 Avenue des Champs-Elysées.

Clip: :25:18 - :28:28

Shot Type: Subjective Shot

Elevator S10

Florence in a Bar, 6 Rue du Colisée

Clip: :25:46 - ::

Shot Type: Objective Shot

Elevator S9

6 rue du Colisée

Clip: :25:18 - :25:33

Shot Type: Objective Shot

Elevator S8

29 rue de Courcelles, Paris

Clip: :24:05 - :25:11

Shot Type: Objective Shot

Elevator S7

180 Boulevard Haussmann

Clip: :21:48 - :22:27

Shot Type: Subjective Shot

Elevator S6 (UNIDLOC)

Young couple in the stolen car. unidentified location(tagged at 54 rue de la Chapelle, Paris)

Clip: :21:08 - ::

Shot Type: Objective Shot

Elevator S5

182 Boulevard Haussmann

Clip: :17:44 - :19:29

Shot Type: Subjective Shot

Elevator S4

Hôtel Friedland, 177 Rue du Faubourg Saint-Honoré.

Clip: :17:45 - ::

Shot Type: Objective Shot

Elevator S3

68 Boulevard Haussmann. Car theft in front of the Carala building.

Clip: :17:03 - ::

Shot Type: Objective Shot

Elevator S2

Carala building, 31 rue de Courcelles

Clip: :5:27 - ::

Shot Type: Objective Shot

Elevator S1 (UNIDLOC)

Florence on the phone with Julien Unidentified location, tagged at 29 rue de Courcelles (spatial coherence: close to the Carala building) Subjective: Florence's voice and emotion.

Clip: :3:08 - ::

Shot Type: Objective Shot;Subjective Shot

Cleo_S58_1h28min21s-1h29min43s

Final scene. Cléo and Antoine in the Hôpital Salpêtrière.

Shot Type: Objective Shot

Cleo_S57_1h27min23s

Inner courtyard. Hôpital de la Salpétriêre.

Shot Type: Objective Shot

Cleo_S56_1h25min12s

Boulevard de l'Hôpital de la Saplêtrière.

Shot Type: Objective Shot

Cleo_S55_1h24min22s

Cléo and Antoine get off at bus stop Saint-Marcel

Shot Type: Objective Shot

Cleo_S_54_1h23min22s

Boulevard de l'Hôpital (47-67), Pompes Funèbres.

Shot Type: Subjective Shot

Cleo_S_53_1h23min14s

Cléo and Antoine. Boulevard de l'Hôpital (163)

Shot Type: Objective Shot

Cleo_S_52_1h22min41s

Place d'Italie

Shot Type: Subjective Shot

Cleo_S_51_1h22min17s

Place d'Italie (Cléo's/Antoine's/Shared POV)

Shot Type: Subjective Shot

Cleo_S50_1h22min02s

Shot Type: Objective Shot

Cleo_S49_1h21min39s

Shared POV (Cléo and Antoine) in the bus. Rue Bobillot.

Shot Type: Subjective Shot

Cleo_S48_1h21min20s

Place Verlaine, rue Bobillot (Cléo and Antoine in the bus)

Shot Type: Objective Shot

Cleo_S47_1h18min21s-1h20min02s

Cléo and Antoine take bus # XX on rue Gazan, rue Liart, rue de Rungis.

Shot Type: Subjective Shot;Objective Shot

Cleo_S_46_1h18min05s

Cléo and Antoine get out of Parc de Montsouris toward rue Liard

Shot Type: Objective Shot;Subjective Shot

Cleo_S_45_1h17min52s

Cléo and Antoine walking in Parc Montsouris

Cleo_S_44_1h11min23s

Cléo meets Antoine at the waterfall in Parc Montsouris

Shot Type: Objective Shot

Cleo_S_43_1h8min49s

Cléo in Parc Montsouris

Shot Type: Objective Shot

Cleo_S42_1h07min06s-1h08min24s

Cléo in the taxi (57 Avenue René Coty)

Shot Type: Subjective Shot;Objective Shot

Cleo_S41_1h6min49s

Dorothée waves good-bye on the Escalier des Artistes

Shot Type: Subjective Shot

Cleo_S40_1h06min13s

Avenue René Coty (8 Bis, 14e)

Shot Type: Subjective Shot

Cleo_S39_1h06min00

Taxi on avenue René Coty

Shot Type: Objective Shot

Cleo_S38_1h05min43s

Place Denfert-Rochereau

Shot Type: Subjective Shot

Cleo_S36_1h04min57s

Cléo and Dorothée in the taxi

Shot Type: Objective Shot

Cleo_S35_1h04min22s

Shot Type: Subjective Shot

Cleo_S34_1h04min25s

Shot Type: Objective Shot;Subjective Shot

Cleo_S33_1h04min03s

Dorothée and Cléo walk on rue Delembre.

Shot Type: Subjective Shot

Cleo_S32_1h03min53s

Cléo and Dorothée walk on rue Delembre

Shot Type: Objective Shot

Cleo_S31_1h03min10s

Cléo's eye is reflected in a broken mirror, a sign of bad omen. Inner courtyard of cinéma Delembre (7 Rue Delambre)

Shot Type: Subjective Shot

Cleo_S30_59min41s

Le Pont MacDonald

Shot Type: Objective Shot

Cleo_S29_58min21s

Cinéma 7 rue Delembre (in front of the Cinéma Espace 7 Parnassiens. It does not exist anymore.

Shot Type: Objective Shot

Cleo_S28_58min17s

Rue Delembre, Cléo and Dorothée in the car.

Shot Type: Subjective Shot

Cleo_S27_55min32

Dorothée and Cléo in the car. (33 Boulevard Edgar Quinet)

Shot Type: Objective Shot

Cleo_S26_50min47s

Interior, 64 rue Delembre (Art Studio where Dorothée is posing)

Shot Type: Subjective Shot

Cleo_S25_50min07s

Rue Delembre, 64. Cinéma Delembre, Cléo goes to see Dorothée

Shot Type: Objective Shot

Cleo_S24_49min46s

Boulevard Edgar Quinet 52, (14e) Street performer. Cléo's POV

Shot Type: Subjective Shot

Cleo_S23_49min40s

Cléo crossing Boulevard Edgar Quinet to look at street performer

Shot Type: Objective Shot

Cleo_S22_48min27s-49min17s

Cléo walking on Rue Delambre (Rue Delembre 1)

Shot Type: Subjective Shot

Cleo_S21_44min27s-48min26s

Shot Type: Subjective Shot

Cleo_S20_43m14s-44min08s

Cléo watches herself in the mirror of the restaurant La Pagode on Boulevard Raspail and catches a glimpse of a street busker swallowing frogs.

Shot Type: Subjective Shot

Cleo_S19_43min12s

Direct POV: Cléo looks at the Bonne Santé sign

Shot Type: Subjective Shot

Cleo_S18_42min56s

Shot Type: Objective Shot

Cleo_S17_22min42s

Cléo Victoire's home on 6 rue Hughyens (Inner Courtyard)

Shot Type: Objective Shot

Cleo_S16_19min44s-22min32s

Long tracking shot: Trajcectory : Rue de Condé- Rue de Vaugirard-Rue Guyenmer-Rue Vauvin-Boulevard Raspail-Carrefour Vauvin-Rue Huyghens.

Shot Type: Subjective Shot

CLeo_S15_19min27s

Carrefour de l'Odéon. The taxi driver tells the story of her aggression. POV shot from a shared perspective (Angèle+Cléo)

Shot Type: Subjective Shot

Cleo_S14_18min42s

Angèle on Rue Mazarine. The pranks of the art students.

Shot Type: Objective Shot

Cleo_S13_18min23s

Cléo on Guénégaud (no number)- The window with African masks in a art gallery.

Shot Type: Subjective Shot

Cleo_S12_17min48s

Taxi Ride on Pont Neuf

Shot Type: Objective Shot

CleoS11_16min45s

Shot Type: Subjective Shot

Cleo_S10_16min56s_132 Rue de Rivoli

Taxi Stand, Rue de Rivoli (132 Rue de Rivoli)

Shot Type: Objective Shot

Cleo_S9_11min59s_128 rue de Rivoli

Chez Francine, hat store, 128 rue de Rivoli.

Shot Type: Subjective Shot

Cleo_S8_11min59s_128 Rue de Rivoli

Chez Francine, Hat store, 128 Rue de Rivoli.

Shot Type: Objective Shot

Cleo_S7_11min14s

Cléo walking with Angèle. Sign Deuil Rivoli, 26 rue de Bourdonnais

Shot Type: Objective Shot

Cleo_S6_9min47s

Shot Type: Subjective Shot

Cleo_S5_7min55

Ca va ca vient (19-21 Rue des Bourdonnais)

Shot Type: Objective Shot

Cleo_S2_5min31

The house of the card reader on the rue de Rivoli (57 Rue de Rivoli)

Shot Type: Subjective Shot

Cleo_S4_6min14s-7min16s

Rue de Rivoli

Shot Type: Objective Shot

Cleo_S3_5min54

Staircase of the card reader, 57 Rue de Rivoli

Shot Type: Objective Shot

Cleo_S1_5min15s

Staircase in the building of the card reader on Rue Rivoli. 57 Rue de Rivoli (4e)

Clip: 00:00:01 - 00:00:02

Shot Type: Subjective Shot

Nadja a Paris S21

Nadja on a bridge over the Boulevard péripherique, close to the Cité Universitaire.

Clip: :12:06 - ::

Shot Type: Subjective Shot

Nadja_19

Shot Type: Subjective Shot

Nadja S19

Unidentified location. Nadja is in a square in Belville, tagged at 4 boulevard de la Villette.

Clip: :9:23 - :9:57

Shot Type: Subjective Shot

Nadja a Paris S18

105 Rue du Faubourg du Temple

Clip: :9:08 - ::

Shot Type: Subjective Shot

Nadja a Paris S17

Unidentified location Street marked in Belleville (geographic continuity). tagged at 63 Boulevard Belleville.

Clip: :8:55 - ::

Shot Type: Subjective Shot

Nadja a Paris S16

Nadja in front of a boulangerie in Belleville (geographical continuity). Unidentified location, tagged at 108 rue du Faubourg du Temple.

Clip: :8:47 - ::

Shot Type: Subjective Shot

Nadja a Paris S15

Nadja at the metro stop in Belleville. tagged at 92 rue de Belleville.

Clip: :7:59 - ::

Shot Type: Subjective Shot

Nadja a Paris S14

Nadja in the Park of the Buttes Chaumont.

Clip: :7:18 - ::

Shot Type: Subjective Shot

Nadja a Paris S13

Le Dôme, tagged at 108 Boulevard de Montparnasse.

Clip: :6:50 - ::

Shot Type: Subjective Shot

Nadja S12

Modern Art Gallery Unidentified location (tagged at 36 rue Boissonade)

Clip: :6:09 - ::

Shot Type: Subjective Shot

Nadja S11

La Coupole. 84-90. Tagged at Boulevard de Montparnasse.

Clip: :5:16 - ::

Shot Type: Subjective Shot

Nadja a Paris S10

Café de Flore, Paris

Clip: :4:56 - ::

Shot Type: Subjective Shot

Nadja a Paris S9

Nadja walking in the streets of the Latin Quarter in front of an art store. unidentified location, for geographical continuity tagged at 23 rue des Fossés.

Clip: :04:40 - ::

Shot Type: Subjective Shot

Nadja a Paris S8

Nadja on the terrace of a café on rue Soufflot. Pantheon in the background. Tagged at 9 rue Soufflot.

Shot Type: Subjective Shot

Nadja a Paris S7

Café on Rue Soufflot. Pantheon in the background. tagged at 8 rue Soufflot.

Clip: 00:03:42 - 00:03:43

Shot Type: Subjective Shot

Nadja a Paris S6

Unidentified location. Tagged as 12 Boulevard Saint-Michel. (Bookstalls outdoors)

Clip: 00:03:12 - 00::13

Shot Type: Subjective Shot

Nadja a Paris S4

Nadja is walking on Rue de l'Echaudé (pinned at 3-7 rue de l'Echaudé)

Clip: 00:03:01 - 00:00:00

Shot Type: Subjective Shot

Nadja a Paris S3

Nadja is walking on Rue Soufflot (pinned at rue Soufflot 18). Interior monologue.

Clip: 00:02:59 - 00:03:00

Shot Type: Subjective Shot

Nadja a Paris S2

Nadja on the platform of the Metro Stop Cité Universitaire

Clip: :02:33 - ::

Shot Type: Subjective Shot

Nadja a Paris S1

Nadja in the Cité Universitaire, Boulevard Jourdain, Maison Heinrich Heine

Clip: ::22 - ::

Shot Type: Subjective Shot

Parisienne S20

Brigitte and Michel at the Orly Airport as the royal guests leave.

Clip: 1:19:52 - ::

Shot Type: Objective Shot

Parisienne S19

Interior (unidentified location). Brigitte's and Michel's apartment. Brigitte reconciles with Michel. Tagged at 57 Boulevard Flandrin (16e)

Clip: :18:43 - ::

Shot Type: Objective Shot

Parisienne S18

Orly Airport. Brigitte takes off with the prince.

Clip: :58:40 - ::

Shot Type: Objective Shot

Parisienne S17 (UNIDLOC)

Interior (unidentified location) tagged as Hôtel Matignon. Brigitte goes to meet the prince.

Clip: :55:12 - ::

Shot Type: Objective Shot

Parisienne S16 (UNIDLOC)

Interior, unidentified location. Michel's and Brigitte's modern apartment with a panoramic vista of Paris, including the Eiffel Tower. Brigitte catches her husband with his former mistress. Tagged on Boulevard Flandrin (16e)

Clip: :54:15 - ::

Shot Type: Objective Shot

Parisienne S15

Brigitte on the banks of the Seine next to Pont de la Concorde with a view on Place de la Concorde. She spends time outside before returning home to see whether her husband is cheating on her with his former mistress.

Clip: :58:39 - ::

Shot Type: Objective Shot

Parisienne S14

Brigitte 's and Michel's apartment. Unidentified location. Tagged on Boulevard Flandrin, 57 (16e)

Clip: :48:02 - ::

Shot Type: Objective Shot

Parisienne S13

Reception at the Hôtel Matignon (interior). Brigitte meets the prince.

Clip: :39:21 - ::

Shot Type: Objective Shot

Parisienne S12 (UNIDLOC)

Brigitte's and Michel's new apartment Unidentified location. Tagged at 56 Boulevard Flandrin (16e)

Clip: :38:44 - ::

Shot Type: Objective Shot

Parisienne S11

Interior Hôtel Matignon. Brigitte and her father, the Prime Minister.

Clip: :34:54 - ::

Shot Type: Objective Shot

Parisienne S10

Orly Airport. Brigitte and Michel leave on their honeymoon.

Clip: :33:30 - ::

Shot Type: Objective Shot

Parisienne S10 (UNIDLOC)

Modern apartment in which Brigitte and Michel move after their marriage. Location unidentified. It has a view on the Eiffel Tower Tagged at 57 Boulevard Flandrin (16e)

Clip: :28:32 - ::

Shot Type: Objective Shot

Parisienne S8 (UNIDLOC)

Unidentified church interior, tagged at 29 Rue de Grenelle, 75007 Brigitte and Michel marry.

Clip: :28:14 - ::

Shot Type: Objective Shot

Parisienne S7

Interior Hôtel Matignon Brigitte and Michel. Brigitte begins her new job as a secretary.

Shot Type: Objective Shot

Parisienne S6

Brigitte catches up with Michel at the Orly Airport.

Clip: :7:34 - ::

Shot Type: Objective Shot

Parisienne S5

Long tracking shot of Brigitte following Michel from Hôtel Matigny to the Orly Airport. Tagged on 33 Avenue René Coty.

Shot Type: Objective Shot

Parisienne S4

57 rue de Varenne (inner courtyard Hôtel Matignon). Brigitte sees Michel leave. The scene contains a POV shot from her perspective.

Clip: 00:03:23 - 00:03:24

Shot Type: Objective Shot;Subjective Shot

Parisienne S3

57 Rue de Varenne

Clip: 00:02:30 - 00:02:31

Shot Type: Objective Shot

Parisienne S2

42 Avenue Franklin Roosevelt Brigitte turns on avenue F. Roosevelt and the shot screens a view of Les Invalides. An objective shot of Brigitte visually, but the musical tune renders it subjective, linking it to the (sexual) charisma of its protagonist.

Clip: 00:2:22 - 00:2:23

Shot Type: Subjective Shot;Objective Shot

Parisienne S1

Tracking shot on the Champs-Elysées. Brigitte drives a red convertible down the Champs-Elysées. An objective shot of Brigitte visually, but the musical tune renders it subjective, linking it to the (sexual) charisma of its protagonist.

Clip: :00:01 - ::

Shot Type: Objective Shot;Subjective Shot

Atlas - of - Cinematic Paris

13 Rue Berbier du Mets

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Film Types

Shot Types