Hélène and Noémie/Malika buy two tickets for Marseilles at the Airport Roissy-Charles de Gaulle. Subjective shot.
Clip: 1:42:23 - 1:42:29
Shot Type: Subjective Scene
Chaos_S91
Noémie/Malika arrives at Hélène's home, asking her to help save her sister. Subjective shot tagged at 2 rue de Dupuytren.
Clip: 1:41:40 - 1:42:13
Shot Type: Subjective Scene
Chaos_S90
Noémie/Malika meets Paul at Gare Montparnasse. Subjective Shot.
Clip: 1:36:54 - 1:37:41
Shot Type: Subjective Scene
Chaos_S89
Noémie/Malika returns home and tries to convince her sister, Zohra, to come with her. Subjective shot: POV and monologue. UNIDLOC tagged at : Place d'Armes, Saint-Ouen, Paris
Clip: 1:33:48 - 1:36:30
Shot Type: Subjective Scene
Chaos_S88
Noémie/Malika and Fabrice, Hélène's son spend the evening on the banks of the Seine, with the Pont Neuf in the background. Subjective shot (Aff. POV) tagged at Quai de Conti, Paris.
Clip: 1:33:29 - 1:33:47
Shot Type: Subjective Scene
Chaos_S87
Noémie/Malika meets Hélène's son in a café. UNIDLOC tagged at 130 Boulevard de Saint-Germain. Subjective (Affective POV)
Clip: 1:32:52 - 1:33:05
Shot Type: Subjective Scene
Chaos_S86
Hélène and Noémie watch their plan unfold from their room in Hôtel Lutetia,45 Boulevard Raspail, 75006 Paris,. POV Shot subjective.
Clip: 1:30:20 - 1:32:11
Chaos_S85
Clip: 1:30:01 - 1:30:09
Shot Type: Subjective Scene
Chaos_S84
Hélène arrives at the Hôtel Lutetia
Clip: 1:29:38 - 1:29:44
Shot Type: Subjective Scene
Chaos_S83
Hélène returns for a brief moment home. Subjective shot (POV)
Clip: 1:28:5 - 1:29:37
Chaos_S82UNIDLOC
Hélène meets with Noémie/Malika and her son. UNIDLOC tagged at : 130 Boulevard de Saint-Germain (Odeeon UGC Danton- movie theater visible in the shot).
Clip: 1:26:59 - 1:28:47
Shot Type: Subjective Scene
Chaos_S81
Hélène returns for a brief moment home. Subjective shot tagged at 2 rue de Dupuytren, Paris, 6e.
Clip: 1:26:42 - 1:26:51
Shot Type: Subjective Scene
Chaos_S80UNIDLOC
Noémie/Malika calls Touki and Pali. She gives instructions to Hélène to call the police. POV (Subjective). UNIDLOC tagged at Sévrès Babylon
Clip: 1:25:50 - 1:26:34
Shot Type: Subjective Scene
Chaos_78
Noémie/Malika explains her plan to Zoriza, while Hélène is watching. POV- Subjective. Tagged at 129 Quai de Valmy
Clip: 1:25:21 - 1:25:49
Shot Type: Subjective Scene
Chaos_78
Hélène joins Noémie/Malika and her friend.
Chaos_S77
Noémie/Malika picks up a friend, Zoriza, working on the Boulevard Extérieurs. Shot tagged at Avenue de la Porte Pantin, 19e.
Clip: 1:24:28 - 1:25:54
Shot Type: Subjective Scene
Chaos_S76
Hélène and Malika arrive at Porte de Pantin. Hélène will wait for Malika at Café de l'Horologe. Affective POV (Subjective)
Clip: 1:24:14 - 1:24:27
Shot Type: Subjective Scene
Chaos_S75_UNIDLOC
Noémie and Hélène rent a car at an Avis Location. UNIDLOC- tagged at 184 Rue du Faubourg Saint-Martin, 10e. Emotional POV (Subjective)
Clip: 1:24:03 - 1:24:13
Shot Type: Subjective Scene
Chaos_S74
Noémie/Malika calls Hélène from her room in Hotel Lutetia, 45 Boulevard Raspail, Paris, 6e. POV shot as Noémie looks at herself in the mirror (Subjective)
Clip: 1:23:58 - 1:24:02
Shot Type: Subjective Scene
Chaos_S73_UNIDLOC
Noémie/Malika calls Hélène at her workplace, asking for help. Hélène's POV and camera's movement show the urgency of the situation (Subjective). UNIDLOC tagged at : 40 rue de Rivoli.
Clip: 1:23:50 - 1:23:57
Shot Type: Subjective Scene
Chaos_S72
At home, Hélène tells her husband and son that it was the last time she cooked for them.
Clip: 1:20:30 - 1:21:34
Shot Type: Subjective Scene
Chaos_S71
Arriving at the Charles de Gaulle Airport, Hélène and Paul talk to the police, while Noémie manages to pass by unnoticed and leaves. Noémie's voice over and spatial practices render the scene subjective.
Clip: 1:18:58 - 1:20:29
Shot Type: Subjective Scene
Chaos_S70
Noémie runs into Hélène and Paul. Noémie's voice over.
Clip: 1:11:23 - 1:11:40
Shot Type: Subjective Scene
Chaos_S69
Noémie makes her escape from Chez Moune, 54 rue Jean-Baptiste Pigalle, Paris, 9e.
Chaos_S68
Noémie, returned to work on the Boulevard Extérieurs, is chased by her pimps who suspect she has hidden the fortune of her Swiss lover. Tagged at : Avenue de la Porte de Pantin 75019 Paris, France. Noémie's voice over.
Clip: 1:10:16 - 1:10:37
Shot Type: Subjective Scene
Chaos_S67
Noémie/Malika hides the real passports on the top of a bus shelter. Shot tagged at Avenue de la Porte de Pantin 75019 Paris, France. Noémie/Malika's voice over.
Clip: 1:09:46 - 1:09:52
Shot Type: Subjective Scene
Chaos_S66
Noémie and Touki leave for Genève, convincing the organization that they can make more money there. Tagged at Gare de Lyon, 12. (Noémie's VO)
Clip: 1:03:01 - 1:03:
Shot Type: Subjective Scene
Chaos_S65
Noémie goes to seek help at SOS Racisme (28 rue de Petites Ecuries, Paris, 10). Noémie's voice over.
Clip: 1:02:30 - 1:03:00
Shot Type: Subjective Scene
Chaos_S64
Pali catches Noémie winning at the stock market. Shot tagged at Société Alter Finance 66 Rue François 1er, 75008 Paris. (Noémie's voice over)
Clip: 1:02:11 - 1:02:18
Shot Type: Subjective Scene
Chaos_S63
Noémie convinces Touki to open a bank account under her name. Tagged at Société Alter Finance 66 Rue François 1er, 75008 Paris. (Noémie's voice-over)
Clip: 1:01:55 - 1:02:06
Shot Type: Subjective Scene
Chaos_S62
Noémie learns about investments from Pali, the boss of the prostitution ring. Tagged at : Societe Alter Finances 66 Rue François 1er, 75008 Paris, France. (Voice over)
Clip: 1:01:39 - 1:01:54
Shot Type: Subjective Scene
Chaos_S61
Noémie reads a financial newspaper on the Boulevards Extérieurs. Tagged at Avenue de la Porte Pantin, 19. Subjective scene (Voice over)
Clip: 1:01:10 - 1:01:33
Shot Type: Subjective Scene
Chaos_S59
Noémie stops taking drugs and hides them in the bathroom of the bar
Chez Moune, 54 rue Jean-Baptiste Pigalle, Paris. Subjective scene (Noémie's voice over).
Clip: 1:00:55 - 1:01:09
Shot Type: Subjective Scene
Chaos_S52_UNIDLOC
Malika/Noémie takes care of her siblings in the Parisian apartment of her father's second wife. Unidentified location, tagged at : Place d'Armes, Saint-Ouen. Subjective scene told in voice-over by Noémie/Malika.
Clip: :52:58 - :53:48
Shot Type: Subjective Scene
Chaos_S58
Noémie/Malika on the Boulevards Extérieurs, reading about financial investments. Tagged at the Avenue de la Porte Pantin, 19.
Clip: 1:00:45 - 1:00:54
Shot Type: Subjective Scene
Chaos_S57
Noémie/Malika hides part of the money she is making. Subjective shot (spatial practice, and fear conveyed by the camera movement). Tagged at Avenue de la Porte Pantin, 19.
Clip: 1:00:30 - 1:00:45
Shot Type: Subjective Scene
Chaos_S56
Noémie/Malika returns on the Boulevards Extérieurs (Subjective, voice over)
Clip: 1:00:20 - 1:00:29
Shot Type: Subjective Scene
Chaos_S55_UNIDLOC
Noémie/Malika goes to see her sister. She manages to get the passport for her and her sister before she is thrown out of the apartment by her step mother. POV shot when N/M waits outside the building+spatial practice (Unidentified location, tagged at Place d'Armes, Saint-Ouen.
Clip: :59:18 - 1:00:15
Shot Type: Subjective Scene
Chaos_S54
Noémie/Malika on the Boulevards extérieurs (Subjective scene). Tagged at Avenue de la Porte Pantin, 19.
Clip: :58:56 - :59:17
Shot Type: Subjective Scene
Chaos_S53
Noémie/Malika arrives from Marseilles, with her pimp Touki. Tagged at Gare de Lyon, Paris, subjective scene (voice over)
Clip: :58:45 - :58:55
Shot Type: Subjective Scene
Chaos_S51
Hélène, on the train, goes back to Mamie with Malika/Noémie's passports. Subjective shot (POV). Tagged at Gare de Lyon.
Clip: :50:54 - :51:10
Shot Type: Subjective Scene
Chaos_S50
Hélène finds Malika/Noémie's passeport hidden on an street close to the Boulevards extérieurs (The outter ring). (POV, spatial practice). Image tagged at Avenue de la Porte de Pantin 75019 Paris, France.
Clip: :49:29 - :50:36
Shot Type: Subjective Scene
Chaos_S49
Hélène leaves the Porte de Pantin métro exit. Subjective shot (spatial practices) tagged at Porte de Pantin, Paris
Clip: :49:21 - :49:28
Shot Type: Subjective Scene
Chaos_S48
Hélène goes into the subway at Gare de Lyon. Subjective shot (Spatial practice and disguise emphasized) tagged at Place Louis Armand, Gare de Lyon, Paris.
Clip: :49:15 - :49:20
Shot Type: Subjective Scene
Chaos_S47
Hélène arrives at the Gare de Lyon. Subjective scene as the camera focuses on her spatial practices. Tagged at Gare de Lyon, Paris
Clip: :49:10 - :49:15
Shot Type: Subjective Scene
Chaos_S46
Hélène rescues Noémie in front of the hospital Saint Georges (Hospital Broussais) (Tagged at 96 Rue Didot)
Clip: :44:14 - :45:49
Shot Type: Subjective Scene
Chaos_S45
Hélène talks to her son as she suddenly realizes that Noémie might be in trouble. She runs out of the house and gets into a cab to go find her.
Clip: :42:43 - :43:34
Shot Type: Subjective Scene
Chaos_S44
Clip: :41:27 - :42:30
Shot Type: Objective Scene
Chaos_S43
Hélène acquires her own perspective in the conversation with her husband.
Clip: :40:48 - :41:07
Shot Type: Subjective Scene
Chaos_S42
Hélène talks to her son's girlfriends, conversation screened in a SRS.
Clip: :39:44 - :40:18
Shot Type: Subjective Scene
Chaos_S37
Hélène watches as Touki is picked up by the police.
Clip: :33:00 - :33:36
Shot Type: Subjective Scene
Chaos_36
Hélène returns to the hospital to announce that Noémie will recover from her paralysis.
Clip: :31:12 - :31:24
Shot Type: Objective Scene
Chaos_S35
Hélène takes the métro (presumably from Les Halles) and she remembers that Noémie moved her thumb. Tagged at Métro Les Halles.
Clip: :31:04 - :31:11
Shot Type: Objective Scene
Chaos_S34
Hélène goes to the Forum des Halles, in the inner courtyard next to the Pygmalion statue by Julio Silva, where she she pays a kid to call the police to tell them where to find a pimp they were looking for. It shows Hélène's increasingly subversive practices. Tagged at Forum des Halles, 101 Porte Berger
Clip: :30:13 - :31:03
Shot Type: Subjective Scene
Chaos_S33
Hélène overhears Touki threatening Noémie in the hospital room. She then follows Touki in the streets and hits him on the head with a wooden plank. She comes back int the room and tells Noémie about how she god rid of her aggressor. Tagged at 96 Rue Didot 75014
Clip: :29:32 - :30:12
Shot Type: Subjective Scene
Chaos_S32
Hélène watches Noémie during physical therapy
Clip: :25:57 - :26:25
Shot Type: Subjective Scene
Chaos_S31
Hélène discovers that Noémie can move her foot. Tagged at 96 Rue Didot 75014
Clip: :24:22 - :24:44
Shot Type: Subjective Scene
Chaos_S30
Hélène helps Noémie with her rehabilitation at the hospital. Tagged at 96 Rue Didot 75014
Clip: :23:27 - :23:57
Shot Type: Objective Scene
Chaos_S29
Hélène washes her face at night in a square with water. Tagged at Square Courteline, 75012 Paris,
Clip: :23:09 - :23:26
Shot Type: Objective Scene
Chaos_S28_UNIDLOC
Hélène goes to a bar and has a drink. She calls Paul from the basement. UNIDLOC tagged at 62 Boulevard de Picpus 75012 Paris (next shot takes places in the adjacent Square Courteline).
Clip: :21:48 - :23:08
Shot Type: Objective Scene
Chaos_S27
Hélène expresses her desire to stay with Noémie and help during her recovery. POV shot. Tagged at 96 Rue Didot, 75014
Clip: :21:31 - :21:47
Shot Type: Subjective Scene
Chaos_S26
Hélène sees Touki and his accomplice who are trying to find Noémie. The hallway scene was shot at the Hospital Antoine Béclère (Clamart) , but the floor scenes at Hopital Broussais Tagged at 96 Rue Didot, 75014
Clip: :18:26 - :21:11
Shot Type: Subjective Scene
Chaos_S25
Hélène, back at the hospital, talks to Noémie, encouraging her to get better. Tagged at 96 Rue Didot, 75014
Clip: :17:07 - :17:49
Shot Type: Subjective Scene
Chaos_S24
Hélène has a fight with Paul who was contacted by the police. She packs a few things and leaves home.
Clip: :15:52 - :16:53
Shot Type: Objective Scene
Chaos_S23
Hélène goes to the office and asks for a few days off. Unidentified location tagged at 40 rue de Rivoli
Clip: :15:35 - :15:51
Shot Type: Objective Scene
Chaos_S22
Hélène goes back to the hospital where two policemen want to ask her a couple of questions. POV from Hélène's perspective and a distinct POV acknowledging the presence of the camera.96 Rue Didot, 75014
Clip: :15:26 - :15:34
Shot Type: Subjective Scene
Chaos_S21
Hélène has a quick breakfast and leaves.
Clip: :14:40 - :15:25
Shot Type: Objective Scene
Chaos_S20
Mamie leaves from Gare de Lyon
Clip: :14:39 - :14:49
Shot Type: Objective Scene
Chaos_S19
Hélène arrives home in the early morning.
Clip: :13:56 - :14:38
Shot Type: Objective Scene
Chaos_S18
Hélène is sent home by a doctor.Tagged at 96 Rue Didot, 75014
Clip: :13:40 - :13:55
Shot Type: Objective Scene
Chaos_S17
Mamie cannot sleep at night.
Clip: :13:32 - :13:29
Shot Type: Subjective Scene
Chaos_S16
Hélène waits outside the emergency room at the hospital. Tagged at 96 Rue Didot, 75014
Clip: :12:23 - :13:20
Shot Type: Objective Scene
Chaos_S15
Mamie watches TV alone in her room.
Clip: :12:12 - :12:22
Shot Type: Subjective Scene
Chaos_S14
Hélène watches over Noémie at the hospital during the night. Numerous POVs. Tagged at 96 rue de Diderot.
Clip: :11:32 - :11:55
Shot Type: Subjective Scene
Chaos_S13
Mamie meets with Paul at the Brasserie Saint-Antoine (in the film, today: Les Blouses Blanches). Images Tagged at 186 rue du Faubourg St Antoine (10min55s)
Clip: :10:49 - :11:20
Shot Type: Subjective Scene
Chaos_S12
Hélène is at the hospital when Malika has a cardiac arrest. POV shots and fast pans illustrate her fear. Tagged at 96 Rue Didot, 75014.
Clip: :10:03 - :10:48
Shot Type: Subjective Scene
Chaos_S11
Hélène feels increasingly alienated at home and has nightmares about Noémie. Imaged tagged at 2 rue de Dupuytren.(9min02)
Clip: :08:57 - :10:02
Shot Type: Subjective Scene
Chaos_S10
Mamie eats alone at the Hotel des Capucines (today Hotel Pavillion Montmartre). Tagged at 5 rue Aristide Bruant. (08min09s)
Clip: :8:04 - :8:56
Shot Type: Objective Scene
Chaos_S9
Hélène visits Noémie at the Hospital Saint-Georges. The scene was filmed in Hospital Broussais. Tagged at 96 rue de Didot. (7min55)
Clip: :7:29 - :8:03
Shot Type: Subjective Scene
Chaos_S8
At home Hélène calls the police to find out in which hospital Noémie is. Tagged at 2 rue de Dupuytren (7min18s)
Clip: :7:08 - :7:29
Shot Type: Objective Scene
Chaos_S7
Hélène drops off a present for her son, Fabrice, who pretends not to be home. Tagged at 98 rue Jean-Pierre Timbaud (5min56s). She then sits down at a café terrace (now Onze Bar, 83 rue Jean-Pierre Timbaud) and sees him leave the studio.
Shot Type: Subjective Scene
Chaos_S6
Hélène leaves her office (presumably).
Unidentified location. Tagged at 40 rue de Rivoli (5min33s)
Clip: :5:30 - :5:35
Shot Type: Objective Scene
Chaos_S5
Mamie drops by Hélène and Paul's apartment to bring a gift, only to find out that her son pretended to not be home. Shot tagged at 2 rue de Dupuytren (04.min28s)
Clip: :3:25 - :5:30
Shot Type: Subjective Scene
Chaos_S4
Paul's mother, Mamie (Line Renaud), arrives at the Gare de Lyon.
Shot tagged at Gare de Lyon (o3.min18s)
Clip: :03:13 - :03:24
Shot Type: Objective Scene
Chaos_S3_UNIDLOC
Paul and Hélène go to a car wash to wash the blood off the windshield.
Unidentified location (03min11s) Tagged at Auto Logique (Car Wash) 12 Passage Lepic 75018 Paris France (proximity)
Clip: :02:02 - :03:13
Shot Type: Subjective Scene
Chaos_S2
Hélène and Paul do not help Noémie (Rachida Brakni) and witness her aggression.
Tagged at 21 rue Victor Masse (00min.46s).
Clip: :00:41 - :02:01
Shot Type: Subjective Scene
Chaos-1
Hélène (Catherine Frot) and her husband leave their apartment to go to a dinner.
