Marieme and her sister take the RER home from La Défense.
Clip: 1:13:24 - 1:14:12
Shot Type: Objective Scene
Girlhood_S34
Fade to black. Pan on the girls in front of the Grande Arche de La Défense. Shots track them on the escalators going into the shopping center and then again, outdoor, dancing in the square. Marieme sees her little sister (POV) shot part of a girl gang who try to rob a young girl. She takes her home.
Subjective shot (POV shot, music, dance), tagged at 6 Place de la Défense, 92400 Courbevoie, France
Subjective shot (music: Marieme's theme).
Clip: 1:07:37 - 1:13:23
Shot Type: Subjective Scene
Girlhood_S33_UNIDLOC_INT
Marieme goes into Ismaël's room at night.
Subjective scene: POV shots, tagged at 43 Rue Charles Delescluze Bâtiment 4 93170 Bagnolet
POV subjective
1.06.09-1 07.37 fade to black
Clip: 1:06:09 - 1:07:37
Shot Type: Subjective Scene
Girlhood_S32
Marieme walks at night in her neighborhood.
Subjective scene (spatial practice) tagged at 45 Rue Charles Delescluze, 93170 Bagnolet, France
Clip: 1:05:19 - 1:06:08
Girlhood_S31_UNIDLOC
Marieme returns home and is congratulated by her brother.
Objective scene, tagged at Square de la Place Jean Pierre Timbaud, 93100 Montreuil, France
Clip: 1:03:27 - 1:05:18
Shot Type: Objective Scene
Girlhood_S30
The girls meet with Lady after the fight.
Subjective scene (semi-subjective POV shot) 10 Rue de l'Épine, 93170 Bagnolet, France
Clip: 1:01:41 - 1:03:26
Shot Type: Subjective Scene
Girlhood_S29
Marieme wins a fight with the girl from the rival gang who humiliated Lady
Subjective scene (POV shots), tagged at 2 Rue de l'Épine Prolongée, 93170 Bagnolet, France
Clip: :59:54 - 1:01:40
Shot Type: Subjective Scene
Girlhood_S28
The girls, without Lady, meet in the neighborhood.
Subjective scene (POV), tagged at 10 Rue de l'Épine, 93170 Bagnolet, France
Clip: :58:55 - :59:53
Shot Type: Subjective Scene
Girlhood_S27_UNIDLOC_SET
Back in her room, Marieme sees Ismaël in a high angle shot meeting her brother.
Subjective scene, POV shot tagged at
Square de la Place Jean Pierre Timbaud, 93100 Montreuil, France
Clip: :58:09 - :58:54
Shot Type: Subjective Scene
Girlhood_S26
54.49-58/08
POV shots ( subjective).
Lady is absent and the girls have a confrontation with another group in the fast food restaurant, shot in SRS. Marieme also meets the girl who was in the gang (the fourth one) before her.
Subjective scene (POV shots),
Lady is absent and the girls have a confrontation with another group shot in SRS. They also meet the girl who was in the gang (the fourth one) before her. She left because she had a baby.
45 Rue Charles Delescluze, 93170 Bagnolet, France
Clip: :54:49 - :58:08
Shot Type: Subjective Scene
Girlhood_S25
The girls get mocked because of Lady’s lost fight in their own neighborhood
Subjective shot (POV, semi-subjective), tagged at 1 Avenue Jean Lolive, 93170 Bagnolet, France
Clip: :52:52 - :54:48
Shot Type: Subjective Scene
Girlhood_24
The girls play mini-golf at Parc Floral de Paris, Route de la Pyramide, 75012 Paris, France
Clip: :50:10 - :52:51
Shot Type: Objective Scene
Girlhood_S23
The girls meet at a photomaton. Marieme's POV illustrated in the shot.
Scene tagged at Les Halles
Les Halles
Clip: :49:09 - :50:09
Shot Type: Subjective Scene
Girlhood_S22_UNIDLOC_SET
Fade to black cut to Ismaël and Marieme in a bed in Ismaël's room.
43 Rue Charles Delescluze Bâtiment 493170 Bagnolet
Clip: :47:30 - :49:08
Shot Type: Objective Scene
Girlhood_S21
M’s mother tries to get her a job at Les Quatre Temps, where she works. M. is shot outside Les Quartre Temps. A cut to an interiour shows her talking to her mother. After she changes her clothes, the emphasis is again on the act of walking- on her shoes as she goes on to clean the rooms. At the end of the shift she threatens her mother’s boss asking her to tell her mother that the job for her became unavailable. The scene ends with a shot showing M. looking outside the window seeing Paris at night on the soundtrack of her musical theme. Her perspective is mostly blurred. The sequence ends with a phone video of Lady’s humiliation, supposedly watched by M.
Subjective scene, tagged at 15 Parvis de la Defense, 92092 Paris La Défense, France
Clip: :44:42 - :47:29
Shot Type: Subjective Scene
Girlhood_S20_UNIDLOC_SET
Ismael follows M. in the neighborhood they go into a building. The light goes off and it’s suddenly dark. Their kiss takes place in front of a blue wall.
Objective shot tagged at 45 Rue Charles Delescluze Bagnolet
Clip: :42:46 - :44:01
Shot Type: Objective Scene
Girlhood_S19_UNIDLOC
Lady loses the fight while Marieme is watching.
POV shot (subjective), tagged at 112-114 Rue Charles Delescluze, 93170 Bagnolet, France
Clip: :40:49 - :42:45
Shot Type: Subjective Scene
Girlhood_S18_UNIDLOC
Lady is shown putting make-up in a mirror in the bathroom of a fast-food restaurant, Marieme is watching her.
Subjective shot, tagged at 45 Rue Charles Delescluze, 93170 Bagnolet, France
Clip: :40:17 - :40:48
Shot Type: Subjective Scene
Girlhood_S17_SET
S17 HOME
Marieme arrives at home, shots show her taking off her shoes, walking carefully past her brother who wakes up and threatens her but she manages to escape as her little sister wakes up. In her room, she looks at the dress one more time. POV shot, mise-en-scène (subjective shot).
Clip: :37:50 - :40:16
Shot Type: Subjective Scene
Girlhood_S16
S16 THE NEIGHBORHOOD
Marieme returns the next morning to the neighborhood. Camera her tracks her movements and shows her perspective (semi-subjective shot) . She sees a group of boys and talks to Ismael. In the conversation, shot in SRS, Ismael tells her that they cannot be together because he is friends with her brother. Another shot, on M’s musical theme, shows M. in a LS walking framed against the apartment blocks.
Scene tagged at 93 Rue Charles Delescluze, 93170 Bagnolet, France
Clip: :35:28 - :37:49
Shot Type: Subjective Scene
Girlhood_S15_SET
The girls arrive at the hotel. They are shot in the hotel corridor and then as they enter the room. They watch TV, eat snacks, drink and smoke. M’s brother calls her but Lady (in a bathroom scene) tells her not to pick up, encouraging her to say “Je fais ce que je veux.” Lady also gives her a necklace with the name (Vic), Victoire, marking her new identity. The lighting changes to deep blue when Lady starts lip syncing on Rihanna’s hit “Dimonds”. Marieme joins the group the last, watching them from the bed. Finally, in the last shot, the girls are all asleep on the bed.
Subjective scene: Marieme’s POV shots.
Clip: :26:03 - :35:07
Shot Type: Subjective Scene
Girlhood_S14
24.17-26.02
A tracking shot on M’s feet show her capacity of movement. Camera tracks upwards on her body. She is shown harassing a girl and getting money. The camera tracks her movements laterally as she rejoins the gang.
Subjective shot (Movement, spatial practice)
Clip: :24:17 - :26:02
Shot Type: Subjective Scene
Girlhood_S13
Marieme is in the elevator in her building. On a fade to black the musical theme continues. A second shots shows a wall painted in two shades of blue. There is a visual bridge as well: we see M. from behind, but her hair is straightened, with blue reflexes. She turns around in the elevator in the last shot of the sequence
Subjective shot (musical theme that connotes empowerment, resilience and change)
Clip: :24:05 - :24:16
Shot Type: Subjective Scene
Girlhood_S12_UNIDLOC
Marieme is in the kitchen doing the dishes. For the first time, we see her mother arrive. She lies about her progress at school. The camera frames her in a statuesque manner from the profile and tracks on her body, as the musical theme associated with Marieme begins. Another shot shows her from behind, in front of the sink and kitchen wall. With no exit in sight, Marieme attempts to find a way out, as the soundtrack highlights.
Subjective shot (musical theme).
Tagged at : Square de la Place Jean Pierre Timbaud, 93100 Montreuil, France
UNIDLOC
Clip: :22:17 - :24:04
Shot Type: Subjective Scene
Girlhood_S11
20.17- 22.16
The girls dance in the metro.The camera pans from Lady to Marieme linking them and indicating their budding friendship, while the other two girls cheer on.
Objective scene.
Clip: :20:17 - :22:16
Shot Type: Objective Scene
Girlhood_S10
The girls see a rival gang on an opposite métro platform and a verbal confrontation begins. The Parisian map is decentered here, we can see only one peripheral corner- rendering the marginalization of the girls in the city center more poignant.
POV Shots – subjective scene, tagged at Châtelet-Les Halles.
Clip: :19:13 - :20:16
Shot Type: Subjective Scene
Girlhood_S9
The girls are framed as a group walking and laughing. Tracking backwards.
Objective shot, Tagged at Les Halles, 12 Cour Carrée.
18.42- 19.12
Clip: :18:42 - :19:12
Shot Type: Objective Scene
Girlhood_S8
The girls go into an unidentified clothing store at Les Halles.
The three girls amuse themselves looking at the dresses in the store. Marime is shown behind them, in shallow focus looking at them. In the next cut, the camera follows Marieme who looks at the clothing. The store clerk intrusively follows her, suspecting her of stealing. The other girls take her defense. This is the first gesture of solidarity and afterwards, the girls will be framed as a group.
Subjective shot tagged at 12 Cour Carrée, 75001 .
Clip: :17:24 - :18:41
Shot Type: Subjective Scene
Girlhood_S7
The girls arrive at Châtelet-Les Halles. The camera tracks, emphasizing their movement and perspective (Shots from behind the protagonists). Subjective scene due to the emphasis on spatial practices.
Tagged at Châtelet-Les Halles
Clip: :16:32 - :17:23
Shot Type: Subjective Scene
Girlhood_S6
The girls take the RER to go to Paris. Several POV shots from Marieme's perspective checking out the girls who sit across her .
Scene tagged at : 1 Place des Martyrs de la Résistance et de la Deportion, 93110 Rosny-sous-Bois, France (Gare de Rosny-Sous-Bois), RER- geographic proximity.
Clip: :15:49 - :16:31
Shot Type: Subjective Scene
Girlhood_S5
Marieme meets three other girls in the courtyard,Assa Sylla (Lady) Lindsay Karamoh (Adiatou), and Mariétou Touré (Fily). Multiple POV shots from Marieme's perspective. Although first Marieme refuses their invitation to go to the city center of Paris, changes her mind when she sees that the girls know Ismaël.
Clip: :12:17 - :15:48
Shot Type: Subjective Scene
Girlhood_S4
At school, Marieme is told by the counselor that she would have to go to professional school. The camera focuses in a MS on Marieme and her pleas with the counselor, who does not understand her private situation.
Marieme is told that she would have to go to professional school. We never see the school counselor in a scene reminiscent of the 400 Coups. The camera focuses in a MS on Marieme and her pleas with the counselor, who does not understand her private situation
Shot tagged at: College Albert Camus, 22 Rue Jean Allemane, 93110 Rosny-sous-Bois, France
Clip: :10:55 - :12:16
Shot Type: Objective Scene
Girlhood_S3_UNIDLOC
Marieme arrives at home where she is has dinner with her sisters. Her mother is absent and his brother is a violent and dominating presence. Several POV shots show Marieme's perspective (looking out the window, playing a videogame). The mise-en-scène emphasizes the color blue, associated with the heroine.
Scene tagged at Square de la Place Jean Pierre Timbaud, 93100 Montreuil, France (UNIDLOC)
Clip: :06:39 - :10:54
Shot Type: Subjective Scene
Girlhood_S2
The girls return to their neighborhood at night. They slowly disperse as they walk toward their apartments. The camera stays with Mariame (Karidja Touré). She meets and briefly talks to Ismaël (Idrissa Diabaté), her brother's friend, whom she visibly likes. Subjective shot, POV shot. Scene tagged at 5 rue Irène et Fréderic Joliot Curie, Montreuil, Quartier de la Noue-Clos-Français.
Clip: :3:38 - :6:38
Shot Type: Subjective Scene
Girlhood_S1
The opening sequence of the film in which two women's teams play American football. Sequence tagged at Stade Jacques Anquetil, 82 rue Pierre Boudou 92600 Asnières-sur-Seine, France (Les Molosses, a women's team, are credited in the film). Subjective scene due to spatial practices.
